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Drawing on Bourdieu’s Distinction (1979) and Mirzoeff’s Visual Culture (1999), this paper frames Ullal content as vernacular visual entertainment:
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The paper explores the intersection of photography, entertainment, and mass media. It analyzes how visual content (specifically photographs) is used not just for documentation, but as a primary vehicle for entertainment in popular culture. Ullal photo entertainment adapts:
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Rather than being erased, Ullal photo entertainment adapts: