There is no character or theme of theft or robbery in the original story or film. The core themes are:
If someone refers to Van Der Wijck Pencuri Movie, it might be:
Is Tenggelamnya Kapal Van Der Wijck a literal thief? No. There is no legal plagiarism here. The characters have different names, the dialogue is in Indonesian, and the setting is uniquely Sumatran. Tenggelamnya Kapal Van Der Wijck Pencuri Movie
However, is it a spiritual thief? Perhaps.
The film stole the soul of Hamka’s work and replaced it with a Western fairy tale skeleton. It is not a copy of Pretty Woman, but it is a victim of Hollywooditis—a disease where local stories are filtered through a foreign lens until they look like cheap impersonations. There is no character or theme of theft
For the casual viewer, Tenggelamnya Kapal Van Der Wijck is a tearjerker. For the literary purist, it remains a "pencuri"—not because it stole scenes, but because it stole the chance to see the real Hamka masterpiece on the silver screen.
Final Rating as an Adaptation:
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Choose the one that fits your style:
The primary accusation leveled against Tenggelamnya Kapal Van Der Wijck is not that it stole from another Indonesian film, but that it structurally robbed from the Hollywood blockbuster Pretty Woman (1990). Critics argue that Hamka’s nuanced novel—a tale of cultural clash, class rigidity in Minangkabau society, and doomed love between Zainuddin, a mixed-race man, and Hayati, a pure-blooded noblewoman—was stripped down and rebuilt using the Hollywood Cinderella playbook.
Let us compare the alleged "stolen" beats: If someone refers to Van Der Wijck Pencuri