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If the 60FPS threatens to make the movie look too "cheap," the 10-bit color depth saves the aesthetics.
This is the spec that divides purists. The original film was shot and projected at 24 frames per second (FPS) —the standard for cinema for a century. 24fps gives film its "dreamlike" or "juddery" motion blur. Shutter Island -2010- 1080p 10bit BluRay 60FPS ...
Shutter Island -2010- 1080p 10bit BluRay 60FPS takes that 24fps source and interpolates it to 60 frames per second. If the 60FPS threatens to make the movie
You cannot just throw this file on a 10-year-old laptop and expect smooth playback. 24fps gives film its "dreamlike" or "juddery" motion blur
Before discussing pixels and frames, we must recall what Shutter Island looks like. Cinematographer Robert Richardson (who won Oscars for Hugo and The Aviator) used desaturated greens, muddy browns, and stark, rain-lashed grays. The film takes place in 1954 on an island for the criminally insane, dominated by the brutalist architecture of Ashecliffe Hospital.
Scorsese employs heavy use of flashbacks, hallucinations, and shifting aspect ratios. The texture of the film is grainy, dirty, and tactile. This is crucial because a "bad" rip will crush those shadows into black blobs or turn the grain into digital noise. A good rip preserves the atmosphere.