| Year | Film | Notes | |------|------|-------| | 2003 | Abar Aranye (Bengali) | Return to Ray’s company | | 2005 | Viruddh... Family Comes First | Supporting role, critically acclaimed | | 2010 | Break Ke Baad | Aunt’s role | | 2016 | Life of Pi (voice – Hindi dub) | Voice of Gita Patel |
Film: Padosan (1968) This video is perhaps one of the most watched musical clips in Indian cinema history. Featuring Kishore Kumar's voice (lip-synced by Sunil Dutt), the song features Sharmila sitting by a window. The simplicity of the scene and the comedic timing of the supporting cast make this a perennial favorite. sharmila sex video
| Video | Film (Year) | Why It’s Popular | |-------|-------------|------------------| | “Mere Sapnon Ki Rani” | Aradhana (1969) | The definitive highway song. Sharmila, in a yellow sari, hitchhiking with Rajesh Khanna—effortless, joyful, and endlessly rewatched. | | “Roop Tera Mastana” | Aradhana (1969) | Her seductive, dreamlike close-ups in soft focus. A song that defined 70s romantic erotica without being vulgar. | | “Aaja Piya Aaye” | Baharon Ke Sapne (1967) | A psychedelic, mod-style black-and-white number where she wears baby-doll dresses—a cult favorite for retro lovers. | | Devi (1960) – Temple Scene | Devi (Bengali) | No song, just acting. Her slow breakdown as she realizes she cannot save a dying child despite being worshipped—pure, devastating art. | | “Badan Pe Sitare” | Prince (1969) | India’s first “item song” vibe? She shimmers in a silver lamé dress, singing about stars on her body. A bold, glamorous video that still shocks. | | “O M majhi re” | Nayak (1966) | The rain scene with Uttam Kumar. She is alluring yet distant—a masterclass in romantic tension via Ray’s lens. | | Year | Film | Notes | |------|------|-------|
🎥 With Jaya Bhaduri (not Sharmila as lead – but often confused. Sharmila’s own duets: “Tere Bina Zindagi Se” – Aandhi (1975) – actually with Suchitra Sen; but Sharmila fans love Amar Prem songs). Film: Padosan (1968) This video is perhaps one
Sharmila Tagore (born 1944) is one of Indian cinema’s most celebrated actresses, working across Bengali (starting with Satyajit Ray) and Hindi films. Known for her grace, versatility, and path-breaking roles in the 1960s–70s.
Sharmila began as a child artist in Ray’s Apur Sansar (1959, The World of Apu), the final film of the Apu Trilogy. Her hauntingly innocent portrayal of Aparna, Apu’s young bride, remains one of cinema’s most tender performances.
