Rie Tachikawa Interview Full File

| Detail | Information | |--------|--------------| | Full Name | Rie Tachikawa (橘川 梨絵) | | Born | 1994, Osaka, Japan | | Agency | Aoni Production (as of 2025) | | Breakout Role | Miyako in “Eternal Bloom” (2022) | | Recent Highlights | – Lead in the internationally‑launched game “Chrono Rift” (2024)
– Guest of honor at Anime Expo Tokyo 2025
– First solo music single “Echoes of Tomorrow” (2025) | | Languages | Japanese (native), English (conversational) |

Rie’s career started in the “Sakura Auditions” talent program in 2015. After two years of intensive voice‑training, she landed minor roles in “Kage no Hana” and “Neon Lights”. Her breakout performance as Miyako cemented her status as a rising star, and she has since become a go‑to voice for strong, nuanced female leads.

“My mom used to play the piano every night while we listened to old Enka records. That rhythm taught me how to listen—something essential for voice acting.”

Early in her career, Tachikawa was pigeonholed into the “mysterious, cute” role. In the full CUT Magazine interview, she goes into granular detail about her rebellion. rie tachikawa interview full

“In 2018, a producer told me to smile wider. He said, ‘Your teeth are your weapon.’ I went home that night and seriously considered getting them filed down just so he would stop. I realized then that the industry didn’t want my acting; they wanted my compliance. The full story—the interview they won’t print in the idol magazines—is that I stopped smiling for three months. I lost three jobs. I regained my jawline.”

She describes her role in the cult hit The Silent Clerk (2021) as her “revenge.” Playing a convenience store worker who never emotes, Tachikawa turned the aesthetic of coldness into a political statement. In the interview, she notes that the director originally wanted her to cry in the final scene. She refused. The resulting ambiguity made the film.

I: What is next? Your website (which is just a black page with an email address) hints at a project called The Un-Museum. | Detail | Information | |--------|--------------| | Full

RT: Yes. In 2026, I will open a space in the Noto Peninsula. It will have no walls. No opening hours. No curator. It is just a field with a single wooden chair. Visitors will get GPS coordinates. They will walk. When they arrive, they will sit. The chair faces a wall that does not exist—a view of the sea. That is the exhibition.

I: What if it rains?

RT: Then you get wet. That is the art.

I: And if no one comes?

RT: (Long silence) Then the wind will sit in the chair. The wind has been waiting for a long time. It deserves a rest.

I: Rie Tachikawa, thank you for this full and rare conversation. “My mom used to play the piano every

RT: Thank you for asking the questions that aren't there.