As I pack up my notepad and untie my dinghy at 11:30 PM, Ed the retired harbormaster offers the wisdom of a thousand dockwalks.
“You see, son,” he says, lighting a cigar that is definitely illegal within 25 feet of the fuel dock. “The boat is just the stage. The real voyage is figuring out how to share a floating parking lot with a dozen other egos.”
He takes a puff.
“If you can dock without yelling, tie a proper cleat hitch, and pretend you don’t notice the neighbor’s dog peeing on your dock box? That’s not seamanship. That’s a marriage.”
And on this balmy September night in 2009, with the halyards clinking like wind chimes against aluminum masts, that’s the best entertainment money can buy.
Jason Porter is a freelance writer who lives aboard a 1978 Gulfstar in San Diego. He has not spoken to his dock neighbor since the “Shrimp Incident of August.”
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Marinas also fostered discreet power dynamics: who got the best slip, whose tender was newer, whose summer party drew the city’s elite. Social climbing here was a subtle art of one-upmanship—a refined version of the head games played on reality TV.
By September 2009, audiences were obsessed with mental manipulation. Christopher Nolan’s Inception was still a year away, but the groundwork was laid. In real time that fall, television was dominated by Fringe, Lie to Me, and The Mentalist—shows where protagonists read micro-expressions and played psychological chess.
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Nowhere were "head games" more literal than in reality competition. September 18, 2009 fell right in the middle of Big Brother 11’s finale week (airing September 15), where houseguests used strategic backstabbing and gaslighting as weapons. Simultaneously, The Real Housewives franchise was exploding, turning verbal duels and social exclusion into prime-time theater. The marina lifestyle—with its glamorous dockside dinner parties—became a natural backdrop for these interpersonal wars.
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