【アーティスト名】 CHAGE and ASKA
【小売価格】 2,667円 (税抜き)
【release】 1992/03/25
【製品番号】 YCCR-00014
【パッケージ】 CD
【レーベル】 ヤマハミュージック
【販売】 販売中
1.モーニングムーン
2.黄昏を待たずに
3.Count Down
4.指環が泣いた
5.SAILOR MAN
6.ロマンシングヤード
7.恋人はワイン色
8.ラプソディ
9.Trip
10.WALK
11.LOVE SONG
12.DO YA DO
13.太陽と埃の中で
14.SAY YES
15.僕はこの瞳で嘘をつく
| 公表年 | 1986年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | ASKA |
| 作曲 | ASKA |
| 編曲 | 佐藤準 |
モーニングムーン/Gently【廃盤】
TURNING POINT
ONESIDE GAME 横浜スタジアム【廃盤】
SUPER BEST【廃盤】
WALK【VTR|廃盤】
HISTORY I ~10years after~【廃盤】
HISTORY II ~PRIDE~【廃盤】
SUPER BESTⅡ
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
CHAGE&ASKA VERY BEST ROLL OVER 20TH
CHAGE and ASKA 25th Anniversary Special チャゲ&飛鳥 熱風コンサート
CHAGE and ASKA 25th Anniversary Special チャゲ&飛鳥 熱風コンサート【Blu-ray】
| 公表年 | 1986年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | ASKA |
| 作曲 | ASKA |
| 編曲 | ASKA/瀬尾一三/The ALPHA |
黄昏を待たずに/DIAMOND SAND【廃盤】
MIX BLOOD
ONESIDE GAME 横浜スタジアム【廃盤】
SUPER BESTⅡ
SUPER BEST【廃盤】
HISTORY II ~PRIDE~【廃盤】
太陽と埃の中で2【廃盤】
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
CHAGE&ASKA VERY BEST ROLL OVER 20TH
| 公表年 | 1986年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | 澤地隆 |
| 作曲 | CHAGE |
| 編曲 | Light house project |
Count Down【廃盤】
ONESIDE GAME 横浜スタジアム【廃盤】
SUPER BEST【廃盤】
HISTORY II ~PRIDE~【廃盤】
SUPER BESTⅡ
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
| 公表年 | 1986年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | ASKA |
| 作曲 | ASKA |
| 編曲 | 佐藤準 |
指環が泣いた/やさしさの向こう側【廃盤】
ロマンシングヤード/Mr.ASIA【廃盤】
HISTORY II ~PRIDE~【廃盤】
SUPER BESTⅡ
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
| 公表年 | 1987年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | ASKA |
| 作曲 | ASKA |
| 編曲 | 瀬尾一三 |
87沖縄キャンペーン (JAL、CM、1987年)
SAILOR MAN/わき役でほほえんで【廃盤】
Mr.ASIA
HISTORY II ~PRIDE~【廃盤】
SUPER BESTⅡ
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
| 公表年 | 1987年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | 秋谷銀四郎 |
| 作曲 | CHAGE |
| 編曲 | 瀬尾一三 |
ロマンシングヤード/Mr.ASIA【廃盤】
RHAPSODY
WALK【VTR|廃盤】
HISTORY I ~10years after~【廃盤】
LOVE SONG【廃盤】
SUPER BESTⅡ
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
夢の番人 SPECIAL EVENT 1993 GUYS(ファンクラブ限定)【生産終了】
史上最大の作戦 THE LONGEST TOUR 1993-1994(ファンクラブ限定)【生産終了】
CHAGE and ASKA COUNTDOWN LIVE 03>>04 in SAPPORO DOME
CHAGE&ASKA 夢の番人 SPECIAL EVENT 1993 GUYS【Blu-ray】
CHAGE and ASKA COUNTDOWN LIVE 03>>04 in SAPPORO DOME【Blu-ray】
| 公表年 | 1988年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | ASKA |
| 作曲 | ASKA |
| 編曲 | 西平彰 |
あぶない雑居カップル テーマ曲 (テレビ朝日、ドラマ、1988年)
ドラマを書きたかったのね。それもヨーロッパふうのおしゃれなドラマを。自分では“アパルトのミセス”って言葉がすごく好きでね、この一行が浮かんでからは、スムーズに書き上がったね。アパルトのミセスが僕の暮らしをいつも伺っていて、ある日女のコが一緒に住むようになってから、別れに至るまで、ずっと噂をしていたって感じ。その中でリアルタッチにしたくなかったのは、何故女のコが出て行ったかという理由。それ書いちゃうと、ただ単に別れの歌になっちゃうから。なんで別れたんだろうっていうところは、聴いてる人の体験を重ねたりして想像してもらえれば…。(ASKA) -1988年 Music City3月号より-
恋人はワイン色/あきらめのBlue Day【廃盤】
RHAPSODY
WALK【VTR|廃盤】
HISTORY I ~10years after~【廃盤】
THE STORY of BALLAD
SUPER BESTⅡ
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
CHAGE&ASKA VERY BEST ROLL OVER 20TH
CHAGE and ASKA Concert tour 2007 DOUBLE
CHAGE&ASKA 夢の番人 SPECIAL EVENT 1993 GUYS【Blu-ray】
CHAGE and ASKA Concert tour 2007 DOUBLE【Blu-ray】
| 公表年 | 1987年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | ASKA |
| 作曲 | ASKA |
| 編曲 | 西平彰/十川ともじ |
ワールド・プロレスリング オープニング曲 (テレビ朝日、TV)
ラプソディ/ripple ring【廃盤】
RAPSODY
HISTORY I ~10years after~【廃盤】
SUPER BESTⅡ
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
| 公表年 | 1988年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | ASKA |
| 作曲 | ASKA |
| 編曲 | 十川ともじ |
Trip【廃盤】
ENERGY
WALK【VTR|廃盤】
SUPER BESTⅡ
CONCERT MOVIE GUYS【VTR|廃盤】
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
CHAGE and ASKA CONCERT TOUR 02-03 THE LIVE
CHAGE AND ASKA CONCERT MOVIE GUYS【Blu-ray】
CHAGE and ASKA CONCERT TOUR 02-03 THE LIVE【Blu-ray】
| 公表年 | 1989年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | ASKA |
| 作曲 | ASKA |
| 編曲 | ASKA/BLACK EYES |
小型自動車「VIVIO」 (富士重工業株式会社、CM、1992年)
WALK【廃盤】
WALK【VTR|廃盤】
PRIDE
HISTORY I ~10years after~【廃盤】
THE STORY of BALLAD
SUPER BESTⅡ
CONCERT MOVIE GUYS【VTR|廃盤】
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
On Your Mark【廃盤】
CHAGE&ASKA VERY BEST ROLL OVER 20TH
千年夜一夜ライブ ~福岡ドーム僕らがホーム
CHAGE and ASKA CONCERT TOUR 02-03 THE LIVE
CHAGE and ASKA CONCERT TOUR 2004 two-five
CHAGE AND ASKA CONCERT MOVIE GUYS【Blu-ray】
CHAGE&ASKA 夢の番人 SPECIAL EVENT 1993 GUYS【Blu-ray】
CHAGE and ASKA CONCERT TOUR 02-03 THE LIVE【Blu-ray】
CHAGE and ASKA CONCERT TOUR 2004 two-five【Blu-ray】
| 公表年 | 1989年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | ASKA |
| 作曲 | ASKA |
| 編曲 | ASKA/十川ともじ |
92沖縄キャンペーン (JAL、CM、1992年)
LOVE SONG【廃盤】
PRIDE
HISTORY I ~10years after~【廃盤】
太陽と埃の中で2【廃盤】
LOVE SONG【廃盤】
SUPER BESTⅡ
CONCERT MOVIE GUYS【VTR|廃盤】
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
On Your Mark【廃盤】
20th Anniversary Premium Live(ファンクラブ限定)【生産終了】
CHAGE&ASKA VERY BEST ROLL OVER 20TH
千年夜一夜ライブ ~福岡ドーム僕らがホーム
ASIAN TOUR IN TAIPEI
CHAGE and ASKA CONCERT TOUR 2004 two-five
CHAGE AND ASKA CONCERT MOVIE GUYS【Blu-ray】
CHAGE&ASKA 夢の番人 SPECIAL EVENT 1993 GUYS【Blu-ray】
CHAGE and ASKA CONCERT TOUR 2004 two-five【Blu-ray】
Anime is rarely funded by a single studio. Instead, a Production Committee is formed.
An estimated 1.5 million Japanese citizens live as recluses (hikikomori). The entertainment industry caters directly to this demographic. Moe culture (a fetishistic affection for 2D characters) provides a safe relationship without social risk. Dating sims and VTubers (Virtual YouTubers) are peak expressions of this: entertainment that requires zero real-world interaction.
This guide is current as of 2026. Japanese entertainment changes fast – always check recent news for agency scandals, new hit series, or changes in ticket laws.
Performers like Matsuda, who transition into various roles within the entertainment industry, often utilize these recognizable archetypes. The "announcer" trope is popular because it emphasizes a contrast between a highly disciplined public professional and the more personal or expressive side of a performer's career.
The technical specifications often seen alongside such keywords, like "AVI" or specific file sizes, refer to digital video formats used for distribution in the broader entertainment market. While many titles under the "civil announcer" theme are produced within the adult industry and adhere to Japanese censorship laws—which require the use of digital mosaics—the focus of the "active" series generally highlights high-energy performances and scripted professional scenarios.
For those interested in the cultural impact of media personalities in Japan, the career of an announcer represents a blend of celebrity status and rigorous professional standards. This professional image remains a significant influence on various genres of Japanese entertainment and media production.
The Neon Pulse: Navigating the Evolution of Japanese Entertainment and Culture
From the flickering glow of 1950s cinema to the global digital dominance of contemporary media, Japan has long occupied a unique position as a cultural superpower. The Japanese entertainment industry is not merely a business sector; it is a sprawling, multi-layered ecosystem where ancient traditions and cutting-edge technology live in a state of constant, creative friction. The Foundation: Harmony of Old and New
At the heart of Japanese culture lies the concept of wa (harmony). This is reflected in how the industry seamlessly blends historical motifs—samurai lore, Shinto mythology, and folk tales—with futuristic aesthetics. This "techno-orientalism" is perhaps most visible in Anime, which has evolved from a niche domestic product into a global multi-billion-dollar industry. Studios like Ghibli and MAPPA have redefined storytelling, proving that animation is a medium for all ages, capable of tackling complex themes like environmentalism, identity, and existentialism. The Idol Phenomenon and Fan Culture
A distinct pillar of the Japanese industry is the "Idol" culture (aidoru). Unlike Western celebrities who often maintain a distance of mystique, Japanese idols are built on the concept of "growth." Fans support them from their debut as amateurs, creating a deep emotional and financial bond. This relationship is codified through: Anime is rarely funded by a single studio
Akihabara-style interactivity: Handshake events and social media engagement.
The "Media Mix" Strategy: Where a single story is simultaneously released as a manga, anime, video game, and light novel to maximize immersion. Gaming: The Global Living Room
Japan remains the spiritual home of the video game industry. Giants like Nintendo, Sony, and Capcom have shaped global leisure habits for decades. Beyond the hardware, the Japanese philosophy of Monozukuri (the art of making things) is evident in their game design—prioritizing tactile "feel," intricate mechanics, and polished user experiences that transcend language barriers. Soft Power and the Future
The Japanese government’s "Cool Japan" initiative was a concerted effort to export this cultural capital. Today, that influence is undeniable. Whether it is the global craze for J-Horror, the viral success of J-Pop groups like YOASOBI and King Gnu, or the resurgence of City Pop on global streaming charts, Japan’s "Soft Power" continues to shape international trends.
As we look forward, the industry is shifting toward digital-first platforms and Virtual YouTubers (VTubers), signaling yet another evolution. Japan continues to prove that while its cultural roots are deep, its eyes are fixed firmly on the horizon.
To help you understand what these terms mean in this context:
RCT-407: This is the "Product Code" (or CID). In the JAV industry, every professional production is assigned a unique code like this to help users identify the specific studio and video. : This likely refers to the actress featured in the video.
Censored: This indicates that the video follows standard Japanese legal requirements, where certain parts are digitally pixelated or obscured.
AVI / 55G: These are technical file details. "AVI" is the video file format, and "55G" refers to the file size (which is unusually large for a single video, suggesting it may be a high-definition or 4K collection). An estimated 1
Women's active civil announcer: This describes the "theme" or "scenario" of the video, suggesting a roleplay involving a public speaker or announcer.
Where to find more information:If you are looking for a "guide" or specific details like the full cast list, release date, or studio name, you can search for the product code "RCT-407" on dedicated database sites such as R18.com or JAVLibrary. These sites act as encyclopedias for these productions and will provide the official title and cover art.
Important Note: Please ensure you are accessing this content through legal and age-appropriate channels in your region.
The keyword "rct407 AVI 1 55G Women-s active civil announcer Matsuda JAV censored" refers to a specific Japanese Adult Video (JAV) production titled "Women's Active Civil Announcer Matsuda", released under the production code RCT-407. Video Overview and Production Details
Released on March 16, 2023, by the studio ROCKET, this title belongs to a genre of JAV that focuses on "female announcer" roleplay—a popular niche in the industry. The production features the actress Nonoka Momose (also sometimes referred to by the name Matsuda or Sybil Matsuda in various listings). Production Code: RCT-407 Release Date: March 16, 2023 Studio: ROCKET Starring: Nonoka Momose Duration: Approximately 140 minutes
Classification: Censored (contains mosaic effects as per Japanese law) Themes and Content
The title utilizes a scenario common in "Real Female Announcer" series, where the performer is depicted as an active or former civil announcer. The narrative often involves a professional setting, such as an "audition" or a mock news broadcast, which transitions into adult content.
Key thematic elements and tags associated with this release include: Roleplay: Professional anchorwoman/announcer persona. Niche Tags: Bukkake, 3P/4P scenarios, and deep throating.
Series Style: This specific code is noted by viewers for its focus on a "stress audition" premise where the announcer must perform under pressure from multiple men. Search Query Breakdown This guide is current as of 2026
The specific string used in your request looks like a metadata file name often found on file-sharing sites or JAV databases. AVI: Refers to the video file format.
1 55G: Likely indicates the file size is approximately 1.55 GB.
Matsuda: Refers to the character name or alias used by the actress in this specific series.
For those looking for information on this release, it is widely listed on major JAV databases such as JAV.red and JAV Guru. [RCT-407] Active female announcer Sybil Matsuda - Jav Guru
If your goal is to write about this topic, here are some general steps you could follow:
Modern J-Pop and anime sit on a 1,000-year-old foundation of performance art. These ancient forms still influence modern directors, voice actors, and screenwriters.
The biggest disruption is Virtual YouTubers. Agencies like Hololive employ motion-capture actors to play anime avatars. In 2023, the VTuber Gawr Gura (a shark-girl) amassed 4 million subscribers. These aren't anime characters; they are real people performing behind a digital mask. This is the logical endpoint of Japanese entertainment: the fusion of Kabuki (masked performance) with Idol culture, delivered via Twitch.
Unlike the West, where comics are a niche, manga is a mainstream literary medium read by salarymen on trains and housewives in waiting rooms.
| Area | Norm | |------|------| | Fan Behavior | Silent clapping at classical concerts; light sticks (penlights) at idol concerts – specific colors for each member. No loud cheering (post-COVID, still restricted). | | Autographs | Rarely given freely; often via lottery or at official events. Selfies with celebrities almost never happen. | | Scandals | Romantic relationships for young idols can lead to public apology (sometimes shaved head). Drug use = career death. | | Promotion | Celebrities appear on morning shows (not late-night) to promote projects. Long, formal press conferences are standard. | | Copyright | Extremely strict. Taking photos/screenshots of anime or concert footage is forbidden and policed. |
This is the bittersweet awareness of impermanence. Japanese entertainment, from The Tale of Genji to Your Name, is obsessed with cherry blossoms (falling), trains (leaving), and summer festivals (ending). The climax is rarely a victory; it is often a poignant goodbye.
| 公表年 | 1990年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | ASKA |
| 作曲 | ASKA |
| 編曲 | ASKA/JESS BAILEY |
カップヌードル「レッドゾーン」 (日清食品、CM、1990年)
オフロードバイク「YAMAHA TT250R」 (ヤマハ発動機株式会社、CM、1993年)
青春讃歌を書いてみたい、と思ったのがこの曲のキッカケ。みんなで大合唱をしたくて。レコーディングのとき、コーラス部分に厚味をつけるため、その場にいた人みんなに参加してもらったのね。CHAGE、ディレクターの剛さん、ナベさん…。そしてミキサーのRENNY、ミキサーアシスタントのCRISSとWILL。WILL、これがヘタでさ、外人って歌ヘタだなって思ったよ。でもヘタはヘタなりに、いいコーラスになったと思ってる。レコーディング一緒にやってる人が、みんなでコーラスやるって、ひさかたぶりで楽しかったな。 -1990年Music City 10月号より-
SEE YA
太陽と埃の中で【廃盤】
太陽と埃の中で1【廃盤】
太陽と埃の中で2【廃盤】
SUPER BESTⅡ
CONCERT MOVIE GUYS【VTR|廃盤】
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
On Your Mark【廃盤】
CHAGE&ASKA VERY BEST ROLL OVER 20TH
夢の番人 SPECIAL EVENT 1993 GUYS(ファンクラブ限定)【生産終了】
CHAGE and ASKA VIDEO CLIP SELECTION MUSIC ON FILMS
CHAGE and ASKA CONCERT TOUR 02-03 THE LIVE
CHAGE and ASKA COUNTDOWN LIVE 03>>04 in SAPPORO DOME
CHAGE AND ASKA CONCERT MOVIE GUYS【Blu-ray】
CHAGE&ASKA 夢の番人 SPECIAL EVENT 1993 GUYS【Blu-ray】
CHAGE and ASKA CONCERT TOUR 02-03 THE LIVE【Blu-ray】
CHAGE and ASKA COUNTDOWN LIVE 03>>04 in SAPPORO DOME【Blu-ray】
| 公表年 | 1991年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | ASKA |
| 作曲 | ASKA |
| 編曲 | 十川ともじ |
101回目のプロポーズ 主題歌 (フジテレビ、ドラマ、1991年)
GRANDIS (MITSUBISHI MOTORS、CM、2004年)
僕らの中の最近の代表曲となってしまった歌です。ドラマのテーマソングを、という依頼があって、第1週分の台本が届きましたが、当時は台本を読むパワーと時間がまったくないときで、スタッフに台本を読んでもらい、内容を聞き、自分なりに理解して作りました。ドラマのイメージと運よく重なった、といった感じでしょうか。 -1991年Music City11月号より-
SAY YES【廃盤】
TREE
TREE【VTR|廃盤】
SUPER BESTⅡ
CONCERT MOVIE GUYS【VTR|廃盤】
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
On Your Mark【廃盤】
20th Anniversary Premium Live(ファンクラブ限定)【生産終了】
CHAGE&ASKA VERY BEST ROLL OVER 20TH
夢の番人 SPECIAL EVENT 1993 GUYS(ファンクラブ限定)【生産終了】
史上最大の作戦 THE LONGEST TOUR 1993-1994(ファンクラブ限定)【生産終了】
LIVE BEST 1995-1999【廃盤】
千年夜一夜ライブ ~福岡ドーム僕らがホーム
ASIAN TOUR IN TAIPEI
CHAGE and ASKA CONCERT TOUR 01>>02 NOT AT ALL
CHAGE and ASKA CONCERT TOUR 02-03 THE LIVE
CHAGE and ASKA COUNTDOWN LIVE 03>>04 in SAPPORO DOME
SEAMLESS SINGLES
CHAGE and ASKA 25th Anniversary Special チャゲ&飛鳥 熱風コンサート
CHAGE and ASKA CONCERT TOUR 2004 two-five
CHAGE and ASKA Concert tour 2007 DOUBLE
CHAGE and ASKA Concert 2007 alive in live
CHAGE and ASKA VERY BEST NOTHING BUT C&A
CHAGE AND ASKA CONCERT MOVIE GUYS【Blu-ray】
CHAGE&ASKA 夢の番人 SPECIAL EVENT 1993 GUYS【Blu-ray】
CHAGE and ASKA CONCERT TOUR 02-03 THE LIVE【Blu-ray】
CHAGE and ASKA COUNTDOWN LIVE 03>>04 in SAPPORO DOME【Blu-ray】
CHAGE and ASKA CONCERT TOUR 2004 two-five【Blu-ray】
CHAGE and ASKA 25th Anniversary Special チャゲ&飛鳥 熱風コンサート【Blu-ray】
CHAGE and ASKA Concert tour 2007 DOUBLE【Blu-ray】
CHAGE and ASKA Concert 2007 alive in live【Blu-ray】
| 公表年 | 1991年 |
| アーティスト | CHAGE and ASKA |
| 作詞 | ASKA |
| 作曲 | ASKA |
| 編曲 | 十川ともじ |
コンポHALF (ナショナルパナソニック、CM、0年)
ちょっと考えると、男のズルさが見えてくる曲なんだけど、ズルさよりも、相手にダメージを与えちゃいけないっていう気持ちのほうが強いんです、この曲は。それはやさしさとは言い切れない。やさしさとはまた違うんだけど、男のズルさともまた言い切れない。相手を傷つけないよう運ばなければいけない。なんとかすべてがうまくいくように…。結局、そういう都合のよさにはたどりつかないわけですけど…。つまり、だからー。僕としては、あえて男のやさしさを表現した曲です、と言いたい。が、言えないでしょう…。 -1991年Music City11月号より-
TREE
僕はこの瞳で嘘をつく【廃盤】
TREE【VTR|廃盤】
SUPER BESTⅡ
CONCERT MOVIE GUYS【VTR|廃盤】
CHAGE&ASKA THE LONGEST TOUR MEMORIAL【廃盤】
On Your Mark【廃盤】
20th Anniversary Premium Live(ファンクラブ限定)【生産終了】
CHAGE&ASKA VERY BEST ROLL OVER 20TH
夢の番人 SPECIAL EVENT 1993 GUYS(ファンクラブ限定)【生産終了】
LIVE BEST 1995-1999【廃盤】
千年夜一夜ライブ ~福岡ドーム僕らがホーム
ASIAN TOUR IN TAIPEI
CHAGE and ASKA CONCERT TOUR 02-03 THE LIVE
CHAGE and ASKA COUNTDOWN LIVE 03>>04 in SAPPORO DOME
SEAMLESS SINGLES
CHAGE and ASKA CONCERT TOUR 2004 two-five
CHAGE and ASKA Concert 2007 alive in live
CHAGE AND ASKA CONCERT MOVIE GUYS【Blu-ray】
CHAGE&ASKA 夢の番人 SPECIAL EVENT 1993 GUYS【Blu-ray】
CHAGE and ASKA CONCERT TOUR 02-03 THE LIVE【Blu-ray】
CHAGE and ASKA COUNTDOWN LIVE 03>>04 in SAPPORO DOME【Blu-ray】
CHAGE and ASKA CONCERT TOUR 2004 two-five【Blu-ray】
CHAGE and ASKA Concert 2007 alive in live【Blu-ray】