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An enigmatic video artist / internet archivist whose work blends glitch aesthetics, ambient horror, and found footage remix culture. Active since the late 2010s, c700 releases in “cycles” — numbered C700.1 through C700.7 — each exploring a different obsession: analog TV decay, lost media hoaxes, procedural generation, or ASMR corrupted by data rot.

C700’s filmography succeeds for three specific reasons:

An official shorter edit of the 22-minute opus. This version removes the experimental interludes, keeping only the "greatest hits" of eerie visuals. It is often used in "video essay" compilations about internet horror.

The camera was released in two primary variants:

Why the Global Shutter Mattered: Most digital cameras use a "Rolling Shutter," which scans the image from top to bottom. This creates skew and wobble during fast pans or flashing lights. The C700 GS captured the entire frame simultaneously, eliminating these artifacts. This made the camera uniquely suited for VFX-heavy shoots and sports broadcasting where motion rendering was critical.

While C700 has deleted several early works, the core filmography consists of roughly 24 major releases over six years. Below is the definitive list categorized by "Cycle."