Laura Fygi - The Best Is Yet To Come -flac- -2011- Link

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Laura Fygi's 2011 album "The Best Is Yet To Come" is a masterful blend of jazz, pop, and world music influences, showcasing the Dutch singer's incredible vocal range and emotional depth. The album, which features 12 tracks, including the iconic title track, is a testament to Fygi's enduring talent and dedication to her craft.

From the opening notes of the album's first track, "The Best Is Yet To Come," it's clear that Fygi is on a mission to deliver a memorable and impactful listening experience. Her voice, which effortlessly glides between sultry and soulful, is perfectly suited to the album's eclectic mix of styles. Whether she's interpreting a timeless standard or delivering an original composition, Fygi's vocal delivery is always characterized by its remarkable expressiveness and nuance.

Throughout the album, Fygi draws inspiration from a wide range of sources, incorporating elements of jazz, blues, and world music into her songs. The result is a richly textured sound that is both timeless and contemporary. Tracks like "Rain" and "Feelin' Alright" showcase Fygi's ability to craft memorable melodies and hooks, while songs like "Lover's Prayer" and "Clair de Lune" demonstrate her impressive vocal range and control.

One of the standout features of "The Best Is Yet To Come" is Fygi's incredible interpretive ability. Whether she's singing a familiar standard or an original composition, she always seems to find a way to make the lyrics her own. Her vocals on tracks like "The Nearness of You" and "It Don't Mean a Thing" are particularly noteworthy, as she brings a deep understanding and emotional resonance to these timeless classics.

The album's production is also noteworthy, with Fygi working with a range of talented musicians and producers to create a rich and immersive sound. From the lush orchestral arrangements on "Lover's Prayer" to the stripped-down intimacy of "Rain," the album's sonic landscape is varied and engaging.

Overall, "The Best Is Yet To Come" is a truly exceptional album that showcases Laura Fygi's remarkable talent and artistry. With its eclectic mix of styles, memorable melodies, and impressive vocal performances, it's an album that will appeal to fans of jazz, pop, and world music alike. As the title track suggests, the best is indeed yet to come from this gifted artist, but for now, this album is a must-listen for anyone who appreciates great music.

Musically, the album can be characterized by:

The essay can be wrapped up with this thought:

Laura Fygi's "The Best Is Yet To Come" stands as a testament to her artistry and musical prowess. A must-listen for fans of jazz and beyond.

The Best Is Yet To Come is the 12th studio album by Dutch jazz vocalist Laura Fygi

, released in February 2011 to celebrate her 20th anniversary as a solo artist. This project marks a significant milestone in her career as her first recorded session featuring a full-sized big band. Album Overview

Produced and arranged by her long-time collaborators Jan Menu and Johan Plomp, the album finds Fygi interpreting a selection of classics from the Great American Songbook. She chose songs originally made famous by her idols, including Frank Sinatra, Tony Bennett, and Julie London, focusing on tracks that allowed her to showcase her "storyteller" vocal style. The album was released through T2 Entertainment in the Netherlands and Universal Music

in Taiwan, where it included a Mandarin-language bonus track. Amazon.com

The standard release contains 12 tracks, while regional editions often include a 13th bonus track. Apple Music The Best Is Yet To Come Too Darn Hot I've Got A Crush On You This Can't Be Love Cheek To Cheek That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Mandarin Bonus Track) Amazon.com Critical Reception

Critics praised the album for its lush production and Fygi's "velvety" vocal delivery.

noted that the big band setting allowed her to "swing easy" while maintaining her signature intimacy. Particular highlights mentioned by reviewers include the "scorching" brass line on "Too Darn Hot" and the reimagined, slow-burn version of "Fever". or more details on Laura Fygi's discography Laura Fygi: The Best Is Yet to Come - JazzTimes

Released in 2011, "The Best Is Yet to Come" is the 12th studio album by Dutch jazz vocalist Laura Fygi. It is a landmark release in her career, marking the 20th anniversary of her solo debut and serving as her first-ever session recorded with a full-sized big band. Album Overview Laura Fygi – The Best Is Yet To Come - Discogs

Laura Fygi: The Best Is Yet to Come (2011) The 2011 album The Best Is Yet to Come represents a landmark moment in the career of Dutch jazz vocalist Laura Fygi, marking the 20th anniversary of her solo debut. Known for her sultry, "velvety" voice and multicultural heritage, Fygi transitioned from a 1980s pop career with the group Centerfold to become a globally recognized jazz icon. This release stands out as her first full-length recording backed by a traditional big band, fulfilling a long-held artistic ambition. Artistic Direction and Production

Produced and arranged by long-time collaborators Jan Menu and Johan Plomp, the album features a lush, expansive sound that pays homage to the mid-century swing era. Fygi’s approach on this record has been compared to the understated elegance of Julie London and the sophisticated swing of Peggy Lee.

Big Band Setting: The arrangements utilize a full-sized orchestra, providing a "scorching" backdrop for standards that Fygi had previously performed live but never captured in a studio big band setting.

Storytelling Approach: Fygi identifies as a "storyteller," choosing tracks from the Great American Songbook that allow her to convey deep emotional narratives, such as the heartbreak in "It’s Easy to Remember". Key Tracks and Highlights

The album's tracklist consists primarily of jazz and pop standards made famous by legends like Frank Sinatra and Tony Bennett.

"The Best Is Yet to Come": The title track sets an optimistic tone, showcasing the "unbridled enthusiasm" and "passion" of the studio sessions.

"Too Darn Hot": A high-energy performance supported by a brass-heavy drum line reminiscent of Buddy Rich.

"Smile": A softer, more contemplative interpretation that leans into a "clouded grey" atmosphere rather than pure optimism.

"Rose, Rose, I Love You": A notable inclusion featuring Fygi singing in Mandarin, reflecting her significant success and popularity in the Asian market. Technical Context (FLAC/Audiophile)

For enthusiasts seeking the -FLAC- (Free Lossless Audio Codec) version, this album is a prime candidate for high-fidelity listening. Critics have praised the "top-notch" musicianship, specifically highlighting individual solos like Hans Vroomans’ piano on "Old Devil Moon" and Maarten van der Grinten’s guitar on "That Old Black Magic". The lossless format preserves the intricate dynamics of the big band arrangements and the subtle nuances of Fygi's intimate vocal delivery. The Best Is Yet to Come: Amazon.co.uk: CDs & Vinyl

Released in 2011, The Best Is Yet to Come is the 12th studio album by jazz vocalist Laura Fygi. This record marks a significant milestone in her career, celebrating her 20th anniversary as a solo artist and serving as her first-ever recorded session with a full-sized big band. Album Overview

The album is a collection of jazz standards popularized by legends such as Frank Sinatra, Tony Bennett, and her primary idol, Julie London. Recorded in the Netherlands and released under labels like T2 Entertainment, the project fulfills a long-held wish for Fygi to record in a big-band setting after years of performing live with such ensembles.

Musical Style: Traditional big-band jazz and vocal pop, characterized by lush arrangements that draw comparisons to the classic 1950s and '60s works of Peggy Lee.

Production: Co-arranged and produced by Jan Menu and Johan Plomp, two of Fygi’s longtime collaborators. Laura Fygi - The Best Is Yet To Come -FLAC- -2011-

Audio Quality: While originally released on CD, high-fidelity versions (such as FLAC) highlight the detailed instrumentation of the big band and Fygi's signature "husky" vocal texture.

The album features 13 tracks, including a unique Mandarin rendition of "Rose, Rose, I Love You". Song Title The Best Is Yet To Come Cy Coleman / Carolyn Leigh Smile Charlie Chaplin Too Darn Hot Cole Porter I've Got A Crush On You George & Ira Gershwin This Can't Be Love Rodgers & Hart Cheek To Cheek Irving Berlin Fever Cooley / Davenport That Old Black Magic Arlen / Mercer It's Easy To Remember Rodgers & Hart You and The Night and The Music Dietz / Schwartz Old Devil Moon Harburg / Lane The Good Life Sacha Distel / Jack Reardon Rose, Rose, I Love You Wilfrid Thomas / Chen Gexin Critical Reception

Critics have praised the album for its "smoldering intensity" and Fygi's sharp interpretive skills. Reviewers from JazzTimes noted that the big-band arrangements perfectly complement her sophisticated, seductive vocal style, making it a standout entry in her extensive discography. Laura Fygi: The Best Is Yet to Come - JazzTimes

Laura Fygi - The Best Is Yet To Come (FLAC, 2011)

Headline: Sophistication in High Fidelity: Revisiting Laura Fygi’s 2011 Masterpiece, The Best Is Yet To Come

In the vast landscape of audiophile jazz and pop, few names command as much respect for sheer sonic elegance as Laura Fygi. For decades, the Dutch singer has been a benchmark for vocal clarity and stylistic grace. But in 2011, she released a project that served as both a summation of her career and a masterclass in audio engineering. Titled The Best Is Yet To Come, the album remains a coveted item for collectors, particularly those hunting the lossless FLAC version that does justice to its pristine production.

A Dutch Diva’s American Heart

Laura Fygi occupies a unique space in music. Born in Amsterdam to a Dutch father and an Egyptian mother, she rose to prominence in the 1980s with the girl group Centerfold before pivoting to a solo career defined by jazz standards and sophisticated pop. By 2011, she was already an icon in the Asian market (particularly in Japan and China) and a darling of the hi-fi community in Europe.

The Best Is Yet To Come was not just another album in her discography; it was a statement. Released during a period where the music industry was aggressively pivoting to compressed, digital streaming, this album was a love letter to the golden age of recording. It was engineered for the discerning ear—specifically, the audiophile.

The Audiophile’s Dream: Why FLAC Matters Here

The specific interest in the FLAC (Free Lossless Audio Codec) version of this 2011 release is not trivial. To listen to this album in MP3 format is to see a masterpiece painting through a smudged window. Fygi’s voice is famously intimate; she possesses a technique that allows her to whisper and belt with equal clarity, creating a "presence" in the recording studio that engineers strive to capture.

In the FLAC format, the 2011 release offers a dynamic range that breathes. The stand-up bass doesn't just sound like a note; it sounds like wood and vibrating strings. The brushwork on the snare drum has texture. When Fygi sings the title track, a classic associated with Frank Sinatra, the lossless audio captures the air in the room and the subtle resonance of her vocal cords. For audiophiles, this album is often used as a "reference track" to test speaker quality—specifically the separation of mid-range frequencies where the human voice lives.

The Song Selection: Familiar Yet Fresh

The tracklist of The Best Is Yet To Come reads like a primer on the Great American Songbook, but Fygi approaches these standards with a European sense of cool.

She tackles "Come Fly With Me" with a lightness that contrasts Sinatra’s swinging bravado, offering a sense of invitation rather than command. On "Smile," the Charlie Chaplin classic, she strips away the orchestration to let the melody's inherent melancholy shine through.

However, the standout moment on the album—and arguably the reason it remains a staple in high-fidelity demo rooms—is her rendition of "That's Life." She reinvents the normally gritty, bluesy anthem into a sophisticated, upbeat bossa nova-influenced arrangement. It is a stroke of genius that only Fygi could pull off, proving that a song can be reimagined without losing its soul.

The 2011 Context

The year 2011 was an interesting time for Fygi. Having sold millions of records worldwide, she had the artistic freedom to record exactly what she wanted. This album felt like a passion project. It wasn't chasing trends; it was cementing a legacy. The production is lush but never crowded, allowing the "air" around the instruments to remain audible—a hallmark of quality jazz recording.

The Verdict

The Best Is Yet To Come stands as one of the pillars of Laura Fygi's extensive catalog. It represents the intersection of technical perfection and emotional storytelling. While the pop charts of 2011 were dominated by auto-tune and electronic beats, Fygi was preserving the art of natural acoustics.

For music lovers, finding the FLAC version of this album is akin to finding a rare vintage wine. It is an experience that demands you sit down, turn off the lights, and let the sound wash over you. It reminds us that in an era of disposable digital noise, true artistry—and the best listening experiences—are indeed yet to come.

Laura Fygi: The Best Is Yet To Come (2011) Released in February 2011, The Best Is Yet To Come is the 12th solo album from Dutch jazz vocalist Laura Fygi . This milestone release marked the 20th anniversary

of her solo career and stands out as her first full-length recording accompanied by a large big band. Album Overview

Produced and arranged by Jan Menu and Johan Plomp, the album features Fygi’s interpretations of jazz standards popularized by legends like Frank Sinatra, Tony Bennett, and her personal idol, Julie London. Critics have noted that the arrangements evoke the "cool jazz" era of the 1950s and 60s, drawing stylistic comparisons to the work of

The album consists of 12 classic standards, with certain regional releases (such as the Taiwan and China versions) including a Mandarin-language bonus track. The Best Is Yet To Come Too Darn Hot I've Got A Crush On You This Can't Be Love Cheek To Cheek That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Bonus Track - Mandarin version) Critical Reception

The album received positive reviews for its high production value and Fygi’s sophisticated vocal delivery.

praised the reimagining of "Fever" as a "three-alarm blaze" and noted the smart placement of Fygi within big band settings that showcased her interpretive skills. Technical Details

For audiophiles, the album was released across various high-fidelity formats. While the standard release was on CD via T2 Entertainment Universal Music

, it has since become a popular title in lossless digital formats like

due to the rich, dynamic range of the big band orchestration. from this era or see more details on Laura Fygi's earlier discography Laura Fygi: The Best Is Yet to Come - JazzTimes

Laura Fygi - The Best Is Yet To Come (2011) is a landmark release marking the 20th anniversary of Fygi's solo career. As her 12th studio album, it notably represents her first-ever full recording session backed by a complete Album Overview

The album features Fygi's interpretations of timeless jazz standards originally popularized by icons like Frank Sinatra, Tony Bennett, and Peggy Lee

. Recorded with a full-sized big band led by arrangers Jan Menu and Johan Plomp, the production captures a grand, classic sound that Fygi had long desired to capture on record. Frequently sought in FLAC (Free Lossless Audio Codec)

to preserve the rich, audiophile-grade detail of the big band arrangements. Mandarin Special:

The album includes a unique Mandarin-language bonus track, " Rose, Rose, I Love You Tracklist Highlights Given the specificity of the keyword, many users

The album delivers 13 tracks that blend smooth vocal jazz with high-energy big band swing. The Best Is Yet To Come (Title Track)

– A reimagined, softer version of the Charlie Chaplin classic. Too Darn Hot

– Features a scorching brass section inspired by the style of Buddy Rich. I've Got A Crush On You This Can't Be Love Cheek To Cheek

– Distinctly re-imagined as a "three-alarm blaze" rather than a simple Peggy Lee imitation. That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Mandarin Bonus Track) Why It's a Must-Listen

Reviewers highlight Fygi's ability to maintain her "feisty sense of self-reliance" while swinging easily through these grand arrangements. Her voice, often compared to Julie London

for its smoldering intensity, takes on a broader range in this big-band setting, making it a standout for fans of traditional vocal jazz and high-fidelity recordings. Further Exploration

Read a professional review of the album's vocal style and arrangements at View the full release credits and track durations on

Explore Laura Fygi's thoughts on the "storytelling" aspect of these songs on Amazon Music Laura Fygi's other jazz collaborations or where you can find her live performances Laura Fygi: The Best Is Yet to Come - JazzTimes

Laura Fygi - The Best Is Yet To Come -FLAC- -2011-: A Timeless Jazz Legacy

In the realm of jazz, there are few artists who have managed to captivate audiences with their unique blend of soul, sophistication, and timeless elegance. Laura Fygi, a Dutch jazz singer, is undoubtedly one of them. With a career spanning over two decades, Fygi has established herself as a leading figure in the jazz scene, and her 2011 album, The Best Is Yet To Come -FLAC-, is a testament to her enduring talent.

The Artistry of Laura Fygi

Born on June 20, 1961, in Amsterdam, Netherlands, Laura Fygi began her musical journey at a young age. Her early exposure to jazz and American music led her to develop a distinctive style that seamlessly blends traditional jazz with contemporary influences. Fygi's vocal prowess, characterized by her warm, velvety tone and impressive range, has drawn comparisons to jazz legends such as Ella Fitzgerald and Billie Holiday.

Throughout her career, Fygi has collaborated with numerous renowned musicians, including Chet Baker, Mulgrew Coleman, and Kenny Barron. Her versatility and adaptability have allowed her to navigate a wide range of musical styles, from traditional jazz and swing to blues and pop. This eclecticism is evident in her discography, which boasts an impressive array of critically acclaimed albums.

The Best Is Yet To Come -FLAC- -2011-

Released in 2011, The Best Is Yet To Come is a masterful collection of jazz standards and original compositions that showcase Fygi's interpretive skills and artistic depth. The album, available in FLAC (Free Lossless Audio Codec) format, offers a high-quality listening experience that faithfully reproduces the nuances of Fygi's performances.

The album's title, The Best Is Yet To Come, is a nod to the classic standard made famous by Frank Sinatra, which is also featured on the record. Fygi's rendition of this timeless song is a highlight of the album, with her expressive vocals and subtle phrasing imbuing the lyrics with a sense of longing and optimism.

The album's tracklist is a thoughtful curated selection of songs that demonstrate Fygi's mastery of jazz and her ability to reimagine classic material. From the opening notes of the album's first track, "The Nearness of You," it's clear that Fygi is on a mission to create a lasting musical legacy. Her performances on songs like "Let's Face the Music and Dance" and "I Can See Clearly Now" are characterized by their warmth, wit, and emotional resonance.

Musical Highlights and Collaborations

One of the standout features of The Best Is Yet To Come is the exceptional musicianship on display. Fygi is joined by a talented ensemble of musicians, including pianist Marnix Dissel, bassist Charles Diergaarde, and drummer Hans van Rijen. The chemistry between Fygi and her accompanists is palpable, with each musician bringing their unique perspective to the album.

A notable highlight of the album is Fygi's duet with guitarist Robben Ford on the song "The Best Is Yet To Come." Ford's distinctive playing style, which blends elements of jazz, blues, and rock, adds a new dimension to the album, and his interplay with Fygi is nothing short of magical.

Legacy and Impact

The Best Is Yet To Come -FLAC- -2011- has been widely praised by critics and audiences alike, with many considering it one of Fygi's finest works. The album's timeless appeal lies in its ability to evoke a sense of nostalgia while remaining firmly rooted in the present. Fygi's music has transcended generations, appealing to both longtime jazz enthusiasts and newcomers to the genre.

In conclusion, Laura Fygi - The Best Is Yet To Come -FLAC- -2011- is a must-listen for anyone who appreciates exceptional jazz and timeless music. With its exceptional sound quality, memorable performances, and enduring appeal, this album is sure to delight listeners for years to come. If you're a fan of jazz, or simply looking to explore the genre, The Best Is Yet To Come is an excellent starting point, and a testament to Laura Fygi's status as one of the leading voices in jazz today.

Technical Specifications:

Availability:

The Best Is Yet To Come -FLAC- -2011- is available for streaming and download on various online platforms, including Amazon Music, eMusic, and Google Play Music. For those who prefer physical media, the album is also available on CD and vinyl.

This blog post highlights the 2011 release The Best Is Yet To Come by renowned Dutch jazz vocalist Laura Fygi , available in high-fidelity The Artist and the Album

Laura Fygi is celebrated for her sultry, sophisticated voice and her ability to seamlessly blend jazz, bossa nova, and traditional pop. Released in 2011, The Best Is Yet To Come

serves as a polished tribute to the Great American Songbook, featuring lush arrangements and Fygi's signature intimate delivery. Tracklist Highlights

The album features timeless standards and upbeat swing numbers, including: "The Best Is Yet To Come" – The titular track, delivered with playful elegance.

– A tender, emotive rendition of the Charlie Chaplin classic. "I've Got You Under My Skin" – A sophisticated take on the Cole Porter staple. "The Way You Look Tonight" – A romantic, smooth jazz interpretation. Audio Quality: Why FLAC? For audiophiles, the FLAC (Free Lossless Audio Codec)

version of this album is the preferred choice. Unlike MP3s, FLAC provides bit-perfect copies of the original CD, ensuring that every nuance of Fygi’s vocal texture and the crispness of the orchestral backing is preserved.

Whether you are a longtime fan of Laura Fygi or a newcomer to contemporary vocal jazz, The Best Is Yet To Come

is a essential addition to any collection. Its combination of high-production value and Fygi’s timeless charisma makes it a perfect soundtrack for a relaxed evening. similar to Laura Fygi or look for high-resolution audio sources for this specific album?

Released in 2011, The Best Is Yet to Come marks a significant milestone in Laura Fygi's When downloading, verify the “source” metadata

solo career, celebrating her 20th anniversary as a solo artist.

This 12th studio album is her first full recording featuring a

, a long-held wish inspired by her live performances in Asia Musical Direction and Production

The album was produced and arranged by Jan Menu and Johan Plomp, long-time members of Fygi’s band. Critics have noted that the arrangements evoke the classic style of Billy May and Neal Hefti, placing Fygi in a sonic landscape similar to legends like Peggy Lee and Frank Sinatra.

Fygi, often described as a "storyteller," selected standards that resonated personally with her. The production highlights her sultry, velvety vocals, which have been compared to the intimacy of Julie London but with the "feisty self-reliance" of Peggy Lee. Standard Tracklist The album primarily features selections from the Great American Songbook The Best Is Yet To Come Too Darn Hot I've Got A Crush On You This Can't Be Love Cheek To Cheek That Old Black Magic It's Easy To Remember You And The Night And The Music Old Devil Moon The Good Life Rose, Rose, I Love You (Bonus track sung in Mandarin) Amazon.com FLAC and Audio Quality While the original release was on CD, the

version is highly sought after by audiophiles for its lossless quality, preserving the intricate "real music" nuances of the big band orchestration. Listeners have praised the passion felt in the audio, particularly the piano work of Hans Vroomans and the guitar solos by Maarten van der Grinten. where to purchase this album in high-resolution or a list of similar jazz vocalists Laura Fygi: The Best Is Yet to Come - JazzTimes

Laura Fygi: The Best Is Yet To Come – A Definitive Big Band Celebration (2011)

Released in 2011 to mark her 20th anniversary as a solo artist, "The Best Is Yet To Come" stands as a pivotal milestone in Dutch jazz vocalist Laura Fygi's storied career. While she has explored Latin, French chanson, and smooth jazz across her extensive discography, this album represents her first-ever studio recording backed by a full-scale big band.

For audiophiles and jazz enthusiasts seeking the highest fidelity, the album is frequently sought after in FLAC (Free Lossless Audio Codec) format to preserve the intricate textures of the brass arrangements and Fygi's characteristically smoky, intimate vocals. A Sophisticated Big Band Reimagining

Produced and arranged by her longtime collaborators Jan Menu and Johan Plomp, the album sees Fygi tackling iconic standards from the Great American Songbook. Rather than merely mimicking the legends who preceded her—such as Frank Sinatra, Tony Bennett, or her idol Julie London—Fygi brings a unique interpretive depth to the material.

Critical reception, such as reviews from JazzTimes, highlights her ability to "seduce cunningly" while maintaining a fierce sense of self-reliance, often drawing favorable comparisons to the legendary Peggy Lee. Key Tracks and Highlights

The album features 12 tracks (13 on certain international editions) that range from high-energy swing to melancholic ballads.

"The Best Is Yet To Come": The title track sets the tone with a confident, swinging arrangement that celebrates her two decades of success.

"Too Darn Hot": A standout performance where Fygi’s vocals ride atop a "scorching, brass-wrapped drum line" reminiscent of Buddy Rich.

"Smile": Reinterpreted with a touch of grey rather than simple optimism, showcasing her skills as a "storyteller".

"Fever": A distinct reimagining that escalates from a slow burn to what critics described as a "three-alarm blaze".

"Rose, Rose, I Love You": A special inclusion for her significant Asian fanbase, featuring lyrics sung in Mandarin. Album Specifications Laura Fygi – The Best Is Yet To Come - Discogs

Released in 2011, The Best Is Yet To Come marks the 20th anniversary of Laura Fygi's solo career and is her 12th studio album. It is notable for being her first ever recorded session with a big band, moving away from her typical small-ensemble jazz and pop settings. Album Overview

Produced by Jan Menu and Johan Plomp, the album features 13 tracks of classic standards from the Great American Songbook. The arrangements are designed to evoke the classic big band era of Frank Sinatra and Peggy Lee. Release Date: January 1, 2011 Label: T2 Entertainment / Out Of The Blue Genre: Vocal Jazz / Pop

Format Quality: FLAC (Free Lossless Audio Codec) is a common high-fidelity format for this album, often found in 16-bit/44.1kHz quality to preserve the sultry, "velvety" nuances of Fygi's voice. The album consists of 12 standards and a bonus track: FYGI,LAURA - The Best Is Yet to Come - Amazon.com Music

Released in 2011 to mark her 20th anniversary as a solo artist, "The Best Is Yet To Come" is a landmark recording in Laura Fygi's discography. This 12th studio album represents a significant departure from her previous work, as it is her first full-scale big band recording. Album Overview & Recording

After years of performing with various ensembles, Fygi realized a long-held dream by recording with a full-sized big band led by Jan Menu and Johan Plomp, who also served as the album's co-arrangers and producers. The arrangements are designed to evoke the classic big band era, drawing comparisons to the legendary works of Peggy Lee, Frank Sinatra, and Julie London. Musical Style & Tracklist

Fygi, often described as a "storyteller" rather than just a vocalist, selected a repertoire of standards that allow her to express a range of emotions, from the celebratory to the melancholic. The album reached #28 on the Netherlands music charts and remained on the charts for five weeks. The standard tracklist includes: The Best Is Yet To Come (3:15) Smile (feat. Ruud Breuls) (3:35) Too Darn Hot (feat. Bert Boeren) (3:57) I've Got A Crush On You (feat. Jan Menu) (3:48) This Can't Be Love (feat. Ruud Breuls) (3:35) Cheek To Cheek (feat. Sjoerd Dijkhuizen) (3:53) Fever (3:55) That Old Black Magic (feat. Maarten van der Grinten) (4:17) It's Easy To Remember (4:51)

You and the Night and the Music (feat. Sjoerd Dijkhuizen) (3:26) Old Devil Moon (feat. Hans Vroomans & Bert Boeren) (4:23) The Good Life (feat. Sjoerd Dijkhuizen) (4:22) Rose, Rose, I Love You (Bonus Track - sung in Mandarin) Technical Quality: The FLAC Advantage

For audiophiles, the FLAC (Free Lossless Audio Codec) version of this 2011 release is particularly sought after. Unlike standard MP3s, FLAC provides a bit-perfect copy of the original CD audio, ensuring that the lush textures of the big band's brass and the intimate nuances of Fygi's vocals are preserved without compression loss. This high-fidelity format is ideal for showcasing the production work of Menu and Plomp, capturing the "live" energy of the studio session.

Critics have noted that Fygi’s voice, which "smolders with London-worthy intensity," is perfectly complemented by these sophisticated arrangements. You can find more details about her extensive career and other releases on her Official Discography. Laura Fygi: The Best Is Yet to Come - JazzTimes

The album draws from several of her key releases, including Turn Out the Lamplight (1995), Live (1996), The Latin Touch (2000), and At Ronnie Scott’s (2007). The result is a 14-track journey that avoids the “random hits” trap.

Highlights include:

The sequencing is thoughtful: up-tempo Latin numbers are interspersed with quiet ballads and live cuts (including a charmingly intimate “The Lady Wants to Know” from Ronnie Scott’s). No track overstays its welcome, and the album breathes like a well-paced cabaret set.

Musical Performance: 7.5/10 – Consistently pleasant and well-sung, but rarely breathtaking.
Recording Quality (Original): 8/10 – Good to very good, though early tracks show age.
FLAC Transfer/Mastering (2011): 9/10 – Faithful, dynamic, and transparent. A reference-quality digital edition.
Overall Value: 8/10 – For a compilation, it’s an excellent introduction to Fygi’s catalog and a sonic treat in FLAC.

The Best Is Yet To Come will not convert skeptics, but for fans of sophisticated, easy-swinging vocal jazz, this FLAC release is a warm, high-resolution portrait of an understated artist at her most representative. The title promises optimism, and the music delivers comfort—especially when heard in pristine, lossless fidelity late on a quiet evening.

Recommended for purchase in FLAC format only if you have the playback equipment to appreciate it. Otherwise, the CD or high-bitrate MP3 will serve you nearly as well.

Acquiring the file is only half the journey. To experience why Laura Fygi’s voice is so revered in lossless audio, follow these guidelines:

You can find "The Best Is Yet To Come" by Laura Fygi on various music platforms such as Amazon Music, eBay, and online music stores that sell FLAC files. Some streaming services may also have this album available.

Dutch jazz vocalist Laura Fygi has long occupied a unique space between sophisticated pop, Latin jazz, and traditional torch song balladry. By 2011, Fygi was already a well-established name in European and Asian audiophile circles, known for her warm, slightly smoky contralto and impeccable phrasing. The Best Is Yet To Come is not a new studio album but a carefully curated compilation spanning her work from the mid-1990s to the late 2000s. Released in CD and high-resolution digital formats, the 2011 FLAC version is particularly significant, as it caters directly to the high-fidelity market that Fygi’s lush, acoustic-driven sound so richly rewards.