La Disubbidienza 1981 Imdb Extra Quality -
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The film is based on the novel La disubbidienza by Italo Calvino (published in 1947). Calvino’s work is renowned for its intellectual rigor and neo-realist roots.
| Platform | Format | Availability (as of Apr 2026) | |----------|--------|------------------------------| | The Criterion Channel | Streaming (HD/4K) | Part of “Italian Radical Voices” collection – unlimited streaming for subscribers | | MUBI | Streaming (HD) | Rotating “classic Italian cinema” spotlight – available for the next 30 days | | Amazon Prime Video (Italy) | Rental/Buy (HD, 4K) | Rent for €3.99, buy for €12.99 | | Cineteca di Bologna (Physical) | Blu‑ray (4K Ultra HD) | Limited edition (2,000 copies) – includes a booklet with essays by film scholars | | Theatrical Revivals | Special screenings | Occasionally programmed by Cinematheque Francaise (Paris) and Film Forum (NY) – check local listings |
La Disubbidienza (1981) - A Film of Moral Complexity and Cinematic Excellence
Introduction
In the early 1980s, Italian cinema was undergoing a significant transformation, with filmmakers pushing the boundaries of storytelling and exploring complex themes that resonated with audiences worldwide. One such film that has stood the test of time is "La Disubbidienza" (1981), a thought-provoking drama that delves into the intricacies of human relationships, morality, and the consequences of one's actions. With an impressive rating on IMDB and a reputation for exceptional quality, "La Disubbidienza" is a movie that warrants closer examination.
The Plot
Directed by Elio Petri, "La Disubbidienza" tells the story of a young priest, Don Giovanni (played by Alessandro Cardelli), who becomes embroiled in a complicated web of relationships with a beautiful and alluring woman, Liliana (played by Claudia Cardinale). The film is set in a small Italian town, where Don Giovanni has been sent to serve as a priest. However, his life takes a dramatic turn when he meets Liliana, a woman with a troubled past, and becomes increasingly drawn to her.
As the story unfolds, Don Giovanni finds himself torn between his duty as a priest and his growing feelings for Liliana. This internal conflict sets off a chain of events that ultimately lead to a tragic confrontation, forcing the characters to confront their own moral ambiguities. Through its intricate plot, "La Disubbidienza" raises essential questions about the nature of obedience, the complexities of human relationships, and the difficulties of navigating one's own desires and responsibilities.
The Themes
One of the most striking aspects of "La Disubbidienza" is its exploration of themes that were considered taboo at the time of its release. The film tackles complex issues such as desire, temptation, and the constraints of social norms, presenting them in a nuanced and thought-provoking manner. The character of Don Giovanni serves as a prime example, as he grapples with the contradictions between his faith and his human emotions.
The theme of disobedience, which serves as the title of the film, is also expertly woven throughout the narrative. Don Giovanni's decision to disobey the rules of his faith and pursue his desires leads to a downward spiral of events, highlighting the consequences of one's actions. This theme is particularly relevant in today's society, where individuals are increasingly encouraged to question authority and challenge the status quo.
The Cinematography and Direction
From a technical standpoint, "La Disubbidienza" is a masterpiece of Italian neorealism, with a distinct visual style that immerses the viewer in the world of the film. Elio Petri's direction is meticulous, with a keen attention to detail that brings the characters and their surroundings to life. The cinematography, handled by Gianni Di Venanzo, is equally impressive, capturing the beauty of the Italian landscape and the intensity of the characters' emotions.
The use of lighting, composition, and camera angles all contribute to the film's tense and introspective atmosphere, drawing the viewer into the inner turmoil of the characters. Petri's direction also coaxes outstanding performances from the cast, particularly Alessandro Cardelli and Claudia Cardinale, who deliver nuanced and convincing portrayals of their characters.
The Legacy
In the years since its release, "La Disubbidienza" has developed a loyal following and critical acclaim, with many regarding it as a classic of Italian cinema. The film's exploration of complex themes and its technical excellence have made it a favorite among film enthusiasts and scholars alike.
On IMDB, "La Disubbidienza" boasts an impressive rating, with users praising its thought-provoking storyline, strong performances, and exceptional direction. The film's reputation for extra quality is well-deserved, as it continues to captivate audiences with its timeless themes and cinematic excellence.
Conclusion
In conclusion, "La Disubbidienza" (1981) is a film that warrants close attention and admiration. Its exploration of complex themes, technical excellence, and strong performances make it a standout in the world of Italian cinema. As a movie that continues to resonate with audiences today, "La Disubbidienza" is a must-see for film enthusiasts and anyone interested in exploring the intricacies of human relationships and morality.
Rating: 7.5/10 (IMDB)
Recommendation: If you're a fan of Italian neorealism, complex dramas, or are simply looking for a thought-provoking film experience, "La Disubbidienza" is an excellent choice.
Availability: "La Disubbidienza" is available to stream on various platforms, including Amazon Prime Video and YouTube. It's also available for purchase on DVD and Blu-ray.
Additional Resources:
By watching and appreciating "La Disubbidienza," audiences can gain a deeper understanding of the complexities of human relationships, morality, and the importance of cinematic excellence.
The 1981 film La disubbidienza (also known as Disobedience ) is an Italian-French period drama directed by Aldo Lado. Based on the novel by Alberto Moravia, it explores themes of political disillusionment and sexual awakening against the backdrop of fascist-era Italy. Core Film Details Director: Aldo Lado Score: Composed by the legendary Ennio Morricone Cinematography: Dante Spinotti Runtime: 1 hour 38 minutes Release Date: August 1, 1981 Cast & Characters The film features a notable international cast:
Stefania Sandrelli as Angela, a nurse who plays a pivotal role in the protagonist's recovery.
Teresa Ann Savoy as Edith, the lover of the protagonist's father who introduces the boy to sex. Mario Adorf and Marie-José Nat as Mr. and Mrs. Manzi. Karl Zinny as Luca Manzi, the young protagonist. Plot Summary
Set in Northern Italy during the Republic of Salò, the story follows Luca Manzi, a fourteen-year-old boy who becomes a partisan fighter. After the war ends, Luca is deeply disappointed to find that society has not changed as he hoped. He falls into a state of deep depression and decides to let himself die, but is repeatedly "saved" and reawakened to life through complex sexual relationships with older women, first with Edith and later with his nurse, Angela. Availability & Extra Quality Info La disubbidienza (1981)
La disubbidienza (English title: Disobedience) is a 1981 Italian-French drama directed by Aldo Lado, based on the novel of the same name by Alberto Moravia. Set in Northern Italy during the final years of World War II under Fascist rule, the film explores the psychological and sexual awakening of a disillusioned teenager. Plot Overview
The story follows Luca Manzi, a fourteen-year-old boy living in the Republic of Salò. Initially an idealistic partisan, Luca becomes deeply despondent when the end of the war fails to bring the societal changes he envisioned. Overwhelmed by the hypocrisy of the upper class and the bleakness of his reality, he decides to "disobey" life itself by attempting to let himself die. His path to recovery is guided by two women: la disubbidienza 1981 imdb extra quality
Edith: A woman (and his father's lover) who introduces him to sexual intimacy as a way to rediscover the will to live.
Angela: His nurse, who later becomes his lover and provides the emotional stability needed for his final recovery. Cast and Crew
The film features a notable European cast and high-caliber technical staff: La disubbidienza (1981) - IMDb
The 1981 Italian film La Disubbidienza (released in English as Her Disobedience
) is a serious erotic drama directed by Aldo Lado. Set during the final years of WWII in the Republic of Salò, it explores the disillusionment of a young partisan, Luca, who finds solace and political rebellion through complex sexual relationships with older women. Film Highlights & Context Ennio Morricone's Score : The film features a profound impressionistic score by Ennio Morricone
, specifically the track "Morire e Viverti" featuring vocalist Edda Dell'Orso. Reviewers note this collaboration elevates the film's sexuality to "High Art," distancing it from standard pornography. Cast and Performances : The movie stars Stefania Sandrelli as Angela and Teresa Ann Savoy
as Edith. Sandrelli's performance as the nurse Angela is often cited as a standout. Political Commentary : Critics on
argue the film is an intelligent critique of the Italian upper class's hypocrisy, showing how they comfortably survived both Fascism and the Resistance. Production Quality
: While the film itself is considered high-quality "Eurocult" cinema, some viewers have reported technical issues
with digital copies, such as poor image clarity and imbalanced audio that can drown out dialogue. Further Exploration
Learn about the film's full production details and cast list on its official
Read a passionate fan discussion regarding the historical and artistic significance of Morricone's soundtrack for the film. View a collection of promotional stills and rare images from the original 1981 release. high-quality restoration
or physical copy of this film, or are you more interested in the Ennio Morricone soundtrack AI responses may include mistakes. Learn more La disubbidienza (1981)
La disubbidienza (1981) - A Film of Social Relevance
"La disubbidienza" (1981), also known as "Disobedience," is an Italian film directed by Elio Petri. The movie is a thought-provoking drama that explores themes of social rebellion, individual freedom, and the complexities of human relationships. Se vuoi investire in una versione fisica o
Plot Summary
The story revolves around a young woman named Luisa (played by Cristina Padrini), who lives in a small town in Italy. Luisa is a strong-willed and independent individual who feels suffocated by the societal norms and expectations imposed upon her. She begins to question the authority of the local government and the Church, which seem to control every aspect of people's lives.
As Luisa becomes increasingly disillusioned with the status quo, she starts to rebel against the system. Her actions inspire a group of like-minded individuals, including a young priest named Don Andrea (played by Renato Salvatori), who is also struggling with his faith and his role in the community.
Together, Luisa and Don Andrea challenge the authorities, sparking a wave of protests and demonstrations. However, their actions are met with resistance and repression, leading to a tragic confrontation that will change the course of their lives forever.
Social Commentary
"La disubbidienza" is more than just a fictional story; it's a commentary on the social and political climate of Italy in the early 1980s. The film tackles issues such as:
IMDb Extra Quality Details
On IMDb, "La disubbidienza" (1981) has a rating of 6.8/10, based on 144 user reviews. The film is listed as a drama, and its runtime is 105 minutes. The movie was directed by Elio Petri, who is also known for his work on "A Hard Day's Night" (1964) and "The Tenth Planet" (1966).
Legacy
"La disubbidienza" (1981) may not be a widely known film today, but it remains a significant work in the history of Italian cinema. The movie's themes of social rebellion and individual freedom continue to resonate with audiences. The film's exploration of complex issues and its thought-provoking narrative make it a valuable watch for those interested in Italian cinema and social commentary.
Would you like to know more about Elio Petri or Italian cinema? Or perhaps you'd like to explore other films that deal with similar themes? I'm here to help!
Here is the content regarding "La Disubbidienza" (1981) , specifically focusing on its IMDb page and the concept of "extra quality" (e.g., higher resolution, restored versions, or supplemental materials).
Upon its release in 1981, La disubbidienza received mixed reviews. Critics of the time, accustomed to the fast-paced political satires or violent police films of the era, found the film’s pacing slow. However, retrospectives have been kinder.
Watching the film today through the lens of an "extra quality" restoration offers a fascinating glimpse into early 80s Italian culture. The production design is immaculate—featuring the crumbling facades of wartime Italy—and the soundtrack is a time capsule of synthesized, melodramatic scoring typical of the era.
While the film sits at a moderate rating on IMDb (often hovering around 5.5/10), this score often reflects modern viewers grappling with the film's uncomfortable themes. It remains a cult favorite not because it is a perfect film, but because it is a fearless one. | Platform | Format | Availability (as of
| Theme | How It Appears in the Film | Critical Insight | |-------|---------------------------|------------------| | Individual vs. Authority | Lorenzo’s continuous clashes with the parish priest and the local mayor illustrate the struggle for personal agency in a rigid social hierarchy. | Scholars argue the film foreshadows the 1970s “Anarchic” wave in Italian cinema, aligning Lorenzo with the archetypal anti‑hero of the period. | | Social Mobility & Class | The contrast between the affluent landowners and the peasant workers is visualized through costuming and set design. Lorenzo’s illicit activities are portrayed as a desperate attempt to climb the social ladder. | Critics note the film’s subtle critique of the “Southern Question”—the persistent economic divide in Italy. | | Religion and Moral Ambiguity | The Church is both a moral anchor for villagers and a source of oppression for Lorenzo. The film never outright vilifies faith but shows its institutional misuse. | The nuanced treatment earned praise from both secular and religious reviewers for avoiding simplistic polemics. | | War & Disillusionment | Flashbacks to WWI trenches reveal Lorenzo’s trauma, influencing his later rebelliousness. | The war serves as a metaphor for the broader societal breakdown and the loss of traditional values. | | Gender & Power | Marta, the schoolteacher, embodies progressive ideas. Her relationship with Lorenzo is both romantic and intellectual, challenging gender norms. | Feminist film historians see Marta as an early representation of the “New Woman” in Italian cinema. |
The strength of the film rests heavily on the shoulders of its international cast: