Chimera: La
Josh O’Connor delivers a restrained, magnetic performance; Arthur is at once vulnerable and stubborn, a man whose interior life surfaces mostly through looks and silences. Isabella Rossellini brings gravitas and grace to Benedetta, an ambivalent figure who offers mentorship, tenderness, and ambiguity. The supporting cast — including veterans from Italian cinema and a roster of local characters — enrich the film’s communal texture.
The climax of the film is a surreal, mystical journey. During a final heist, the tomb collapses, trapping the group. In this liminal space between life and death, Arthur finally lets go of his grief. He accepts that Beniamina is gone and that he must choose life.
Arthur escapes the tomb, emerging from the earth reborn. He runs away from the tombaroli life and toward the sea, where he intends to start anew. The final shots suggest he has finally broken the spell of the chimera, choosing the uncertainty of the living world over the silence of the dead.
Watching La Chimera, I kept thinking about why we are so obsessed with the past. Not history as a discipline, but the personal, aching past—the person we lost, the version of ourselves we buried, the door we closed too quickly. Arthur’s quest is absurd. He will never find Beniamina in a tomb. He knows this. And yet, he cannot stop. Because to stop digging is to admit that she is truly gone. And that is a grief he cannot bear. La Chimera
Rohrwacher’s genius is that she never mocks Arthur’s delusion. She treats it with the tenderness of a lullaby. The film’s final shot is devastating not because it is sad, but because it is merciful. Arthur gets what he wants. And we realize, with a jolt, that what he wanted was not treasure or even resurrection. He just wanted permission to stop.
La Chimera is a heist movie for the heartbroken. It is a comedy full of weeping. It is a myth told in the key of a folk song. Go see it in a dark theater, if you can. Let the 16mm grain wash over you. And when Arthur descends into the earth for the last time, ask yourself: what is your chimera? What impossible thing are you still digging for?
Rating: ★★★★½ Available in select theaters and on digital platforms. Watch it on the largest screen you can find. Bring someone you’ve lost. Rating: ★★★★½ Available in select theaters and on
Alice Rohrwacher's 2023 film La Chimera is a multi-layered exploration of memory, heritage, and the thin line between the living and the dead. Set in 1980s Tuscany, it follows Arthur, a British archaeologist with a supernatural "gift" for locating ancient Etruscan tombs, as he navigates a world of impoverished grave robbers ( ) and lost love.
The following sections provide an overview of the film's central themes and artistic execution. 1. The Mythological and Metaphysical Journey
The film functions as a "modern-day fairy tale" that blends gritty realism with magical elements. The Hidden Treasures of La Chimera - Video Essay Co-written and directed by Rohrwacher (the mind behind
Co-written and directed by Rohrwacher (the mind behind Happy as Lazzaro), La Chimera is a visual poem. Cinematographer Hélène Louvart shoots on grainy 16mm film, giving the picture a texture of memory. The colors are washed out—the Italian sun feels harsh and pale—creating a world that is already half-in-the-grave.
The film moves in disorienting jumps. Characters burst into Neapolitan songs. The aspect ratio shifts. Time collapses. This is intentional. Rohrwacher wants us to feel like Arthur: unmoored, caught between the present and a past that refuses to stay buried.