“The Animation 01” is the debut animated short of the Kemonokko Tsuushin series. Clocking in at roughly 3 minutes and 12 seconds, the episode serves as an introduction to the core cast:
| Character | Species (Kemo) | Personality | Role in Episode | |-----------|----------------|-------------|-----------------| | Mika | Cat‑girl (Nekomimi) | Energetic, optimistic | Host of the “dispatch” news segment | | Riku | Fox‑boy (Kitsune) | Clever, slightly mischievous | Provides “field reports” from the school rooftop | | Haru | Rabbit‑girl (Usagi) | Calm, book‑ish | Supplies “weather updates” and trivia | | Tomo | Dog‑boy (Inu) | Loyal, earnest | Handles “technical support” for the broadcast |
The narrative follows Mika’s attempt to launch a school‑wide “Kemonokko News” broadcast, only to be thwarted by a series of comedic technical glitches and the mischievous antics of Riku. By the end of the short, the team manages to get a single, albeit glitch‑filled, transmission out to the student body—setting the stage for future “episodes” and a running gag about “signal interference.” kemonokko tsuushin the animation 01 audio la
Overall, the episode’s emphasis on audio storytelling has sparked a mini‑trend in the indie animation community, encouraging other creators to release “audio‑first” versions of their work.
| Role | Name | Notable Works | |------|------|---------------| | Director | Yūri Takahashi | “Mochi‑Mochi Cafe” (TV short), “Pixel Paws” (game) | | Scriptwriter | Sora Minamoto | “Kitsune‑Kiss” (manga), “Bunny Hop Radio” (audio drama) | | Music Composer | Haruka Aoyama | “Neon Cat” (EDM), “Foxy Night” (vocaloid) | | Sound Designer | Kenji Saito | “Digital Dreams” (VR experience) | | Voice Cast | Miyu Tomita (Mika), Kaito Ishikawa (Riku), Ayane Sakura (Haru), Tomokazu Sugita (Tomo) | Various popular anime and game titles | “The Animation 01” is the debut animated short
The team intentionally kept the budget modest, which is why the audio‑first release (“Audio LA”) was emphasized: it allowed the creators to showcase strong performances and a polished sound design without the expense of full‑scale animation.
Music and Themes
Sound Design
Mix and Mastering Choices
