jay bank 1923 free

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一休宗純 Ikkyū Sōjun (1394-1481)


1923 Free: Jay Bank

Yes, but cautiously.

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Action Plan for the Smart User:

The legacy of 1923 was economic ruin for the unprepared. The promise of "Jay Bank 1923 free" is financial immunity for the early bird. Whether that promise is a golden ticket or a digital mirage remains to be seen. Stay skeptical, stay secure, and never invest—or connect—more than you are willing to lose.

Have you successfully claimed the "Jay Bank 1923 free" offer? Share your experience in the comments below to help the community stay safe.

First, I'll check if there's any historical context from 1923 related to a person or event named Jay Bank. Maybe it's a person? Jay Bank could be a person's name, but I don't recall any prominent figures by that name from 1923. Alternatively, "Bank" could be part of a surname, like Jay Banks. But again, not familiar.

Another angle is that "Jay Bank" might refer to a financial institution. There was a period around the 1920s when many banks were established in the U.S., especially after the Great Depression prepared them for. However, the Great Depression started in 1929. Wait, 1923 is before that. Maybe there's a specific bank that had a significant event in 1923, like a founding or a failure?

The word "Free" at the end is intriguing. Could it be related to a movement or a slogan? The term "Free" often appears in historical contexts related to political or social movements. Maybe "Jay Bank 1923 Free" is a reference to a fictional event or a play on a real one.

I should also consider if there are any well-known incidents from 1923 involving the phrase "Bank." For example, the 1923 hyperinflation in Germany's Weimar Republic. But would it connect to an individual named Jay? That seems unlikely. Alternatively, in the U.S., the Federal Reserve was established in 1913, and by 1923, they were still in early operations. There were debates about federal banking versus state banks.

Wait, there's a possibility that the user is referring to a movie or book. "The Silence of the Lambs," for example, doesn't fit. Maybe a lesser-known work? If "Jay Bank" is a fictional character or a location. Another thought: the original query has "1923 Free," perhaps a movie titled "1923," like a sequel to "The Grey Man" or "Free Guy"? Not really.

Alternatively, "Jay Bank" could be misheard as "Jay Bank" when it's actually a different term. For example, "Jay Bank" vs. "J.P. Morgan & Co." in 1923. J.P. Morgan was a significant figure in early 20th-century banking. But "Free" could hint at a free banking model? Not sure.

Another possibility is that this is a user error, and they meant "Federal Reserve Act 1923" or something similar. But I need to work with the given query. Let's think of hypothetical elements. Maybe the user is asking for an article about a fictional bank, Jay Bank, established in 1923, and its story of becoming free from some constraints. Or perhaps a narrative where a person named Jay works in a bank and achieves freedom in 1923.

If I take a creative approach, I could construct a fictional story around Jay, a character working at a bank in 1923, facing challenges, and ultimately securing his freedom. However, the user might be expecting a real historical event. Since "Jay Bank" is not a known historical entity, the article could be a mix of historical context from 1923 in the banking sector and a fictional interpretation.

Alternatively, the user might be referring to a specific case study or educational example about a bank in 1923 that operated with free banking principles. Free banking is a term in economics referring to a system without central banking. Some states in the U.S. had free banking systems before the late 19th century. In 1923, free banking was long gone in the U.S., replaced by the Federal Reserve System. So that might not fit.

Another angle: maybe "Jay Bank" is a misspelling of "Jay Berbank" or another similar name. But without more context, it's challenging.

I need to structure the article. If it's fictional, start by setting the scene in 1923, introduce Jay and his role at the bank, the challenges during that time (economic conditions, banking regulations), and his journey to freedom. If real, perhaps discuss a historical bank from 1923 that gained recognition for its approach.

Given the uncertainty, perhaps the safest route is to address both possibilities: a fictional narrative based on the prompt and a brief historical overview of banking in 1923. The user might appreciate the combination. I should make it clear that there's no known entity named "Jay Bank" but can still craft a relevant article about the topics.

Also, check if there's any connection to the Jay's Bank in the UK or elsewhere. A quick search (if allowed) would help, but since I can't browse the internet, relying on my knowledge. The Jay's Bank... not familiar.

In summary, the article should probably explain that "Jay Bank 1923 Free" isn't a recognized historical entity but can explore the context of the time, maybe create a fictional story, and discuss the economic climate of the early 1920s. Ensure to mention the Federal Reserve, the state of banking in the 1920s, economic indicators, and possibly touch on the Great Depression as a lead-up to 1929.

Structure-wise, start with an introduction acknowledging the lack of historical evidence, then move into the economic background of 1923, discuss the role of banks during that era, and conclude with the fictional narrative if applicable. Alternatively, present a speculative case for the term.

Need to verify if there's any connection to a free banking system in 1923. Free banking was more common in the 19th century. By 1923, the Federal Reserve had replaced that model. Therefore, the term "Free" might relate to more than banking policy, like personal freedom or political movements. Maybe the user is referring to a political slogan, but how would that tie into Jay Bank? jay bank 1923 free

Another angle: Maybe Jay Bank is a person who, in 1923, was released from imprisonment or achieved personal freedom. So the article can be a biography. However, without evidence of such a person, it's speculative.

To wrap up, the user might be looking for an article that either explores the historical context of 1923 in banking or a creative piece on a fictional Jay Bank. Since the query is ambiguous, the article can cover both possibilities, clarifying the uncertainty while providing relevant information.

Title: The Tale of Jay Bank, 1923: A Journey Through Time and Banking History

Introduction
The phrase "Jay Bank 1923 Free" invites curiosity, intertwining a mysterious name with a specific year. While no definitive historical record of a figure named Jay Bank is found in the annals of 1923 banking history, this article explores two interpretations: (1) the economic and banking landscape of 1923 and (2) a fictional narrative inspired by the prompt, blending creative speculation with historical context.


To qualify for "Jay Bank 1923 free," you will need a non-custodial wallet (MetaMask, Trust Wallet, or WalletConnect). The platform scans wallets for "vintage activity" (wallets created before 2023 or those holding specific legacy NFTs).

If you find the waitlist is full or the requirements are too steep, there are other legitimate "free" entry points in the 2024-2025 DeFi season:

No record of a prominent individual named Jay Bank associated with banking in 1923 exists. However, the name could symbolize a broader theme in financial history. For instance, "Jay Bank" might be a fictional moniker representing a struggling bank or entrepreneur navigating the challenges of the era. Alternatively, it could be a play on "Free Banking," a 19th-century concept where competition replaced centralized banking control. By 1923, free banking had largely been phased out in the U.S., making this connection speculative but historically grounded.


The phrase "Jay Bank 1923 Free" appears to be a combination of terms related to the life of the Indian revolutionary and socialist leader Jayaprakash Narayan

, specifically his experiences in the United States around 1923 when he worked at various jobs, including in a bank, to fund his "free" or independent education. Here is a story based on that historical context. The Ledger and the Dream: Jay’s 1923 Journey In the winter of 1923, a young man named Jayaprakash Narayan

—known to his friends simply as Jay—found himself far from the dust of Bihar, India. He was in America, a land he had traveled to with only a handful of savings and a fierce desire for a "free" education—free not from cost, but from the colonial influence of British-run institutions back home. The Grind for Independence

To stay in school at the University of California, Berkeley, and later at the University of Wisconsin, Jay had to be resourceful. His 1923 was a year of grueling labor:

The Bank Office: To pay his mounting tuition fees, Jay took up a job as a clerk in a bank office. There, amidst the rhythmic ticking of clocks and the scratching of pens on ledgers, he learned the cold mechanics of capital.

The Laborer: When the bank work wasn't enough, he spent his summers in the canning factories of California and even worked as a farmhand. He was a "free" man in a new world, but one bound by the need to earn every cent of his keep. A Turning Point in 1923

December 1923 marked a pivotal moment for Jay. While studying at the University of Iowa, he chaired the Hindustan Association of America's national convention. It was during this period that his observations of the working class—both in the banks and the fields—began to merge with the radical ideas of Marx and Engels.

He saw the contrast between the vast wealth flowing through the bank vaults and the struggles of the migrant workers beside him. By the end of that year, the young man who had come to America to study science had transformed into a budding revolutionary, convinced that true freedom for India would require more than just the exit of the British—it would require a total social transformation.

If you're referring to the film "Jay and Silent Bob's Super Groovy Cartoon Movie" (2013, not 1923) or mixing up titles, there's no widely known movie or show called Jay Bank 1923. However, you may be thinking of:

To give you the write-up you need, could you clarify:

In the meantime, here’s a general template for a write-up on a hypothetical "Jay Bank 1923" (if it were a short film or project):


Write-up: Jay Bank 1923 (Concept / Lost Media)

Jay Bank 1923 is a speculative or fictional project set in Prohibition-era America. The title suggests a character named Jay Bank — possibly a bootlegger, jazz musician, or small-town banker caught between corrupt lawmen and organized crime in 1923. Themes include moral ambiguity, the rise of underground economies, and early 20th-century Americana. No verified copies exist publicly; if you've seen a "free" version online, it's likely a mislabeled fan edit or public domain newsreel mashup. For legitimate free media from 1923, consider works now in the public domain (e.g., Safety Last!, The Pilgrim). Yes, but cautiously


If you provide the correct title or source, I'll gladly write a detailed, accurate review or summary.

The year was 1923, and stood at the threshold of a world changing faster than he could count the cash in his drawer. As a teller at the Merchant’s Trust in downtown Chicago, Jay was a man of precise habits in an era of sudden, dizzying noise.

Outside the heavy bronze doors of the bank, the "Roaring Twenties" were in full swing. Flappers with bobbed hair blurred past the windows, and the smell of exhaust from Model Ts mixed with the faint, illicit scent of gin from the speakeasy around the corner. But inside, Jay lived in a world of silence, marble, and the steady "thwack" of rubber stamps.

Jay had started at the bank right after the Great War, seeking the kind of stability that mud and trenches didn’t offer. By 1923, he was the bank’s most trusted hand. He could spot a counterfeit bill just by the way the light hit the ink, and he knew the credit history of every shopkeeper on the block by heart.

One rainy Tuesday in November, a woman named Clara stepped up to his window. She didn't have a ledger or a deposit slip. Instead, she slid a small, weathered copper key across the mahogany counter.

"It belongs to Box 1923," she whispered, her eyes darting toward the armed guard at the door. "My grandfather said if the world ever started spinning too fast, I should come here and find what’s 'free'."

Jay frowned. Box 1923 was a legacy vault, one that hadn't been opened since the bank was founded. He led her to the basement, where the air was thick with the scent of old paper and cold iron. As the heavy door groaned open, they didn't find gold bars or stacks of currency.

Inside the small drawer sat a single, hand-written deed for ten acres of wild prairie land west of the city, and a note that simply read: “For the one who remembers that wealth is the dirt under your fingernails and the wind in your face.”

Jay looked at the deed, then at the frantic, neon-lit world through the high basement windows. In a year where everyone was chasing paper fortunes, Jay Bank realized that the most valuable thing he could handle wasn't the money in the vault—it was the freedom to leave it behind.

In 1923, the financial world saw major shifts in central bank independence, particularly in Latin America.

The Colombian Experience: Colombia established its central bank, Banco de la República, in 1923. Originally founded as a private and independent entity, its goal was to ensure price stability after a period of economic fluctuation. John Jay and Banking Foundations : While John Jay

was a Founding Father active much earlier, his legacy in protecting property rights and establishing the rule of law heavily influenced the "hard money" vs. "soft money" debates that peaked in the late 19th and early 20th centuries. 2. Media Connection: "1923" TV Series The title may refer to 1923

, the Yellowstone prequel starring Harrison Ford and Helen Mirren, which depicts the Dutton family’s struggle during the early Great Depression and Prohibition.

Plot & Themes: The series explores the "range war" in Montana, focusing on land ownership, the fallout of World War I, and economic hardship.

Key Conflict: A major Season 1 plotline involves a wealthy businessman, Donald Whitfield, paying the Duttons' property taxes to leverage a land seizure—a "bank-style" foreclosure tactic central to the drama.

Critical Reception: Reviews are mixed; some fans praise the "war-torn hero" tropes, while others criticize the portrayal of women as one-dimensional. 3. Literary Links: Jay Gatsby and the Jazz Age The name "Jay" combined with "1923" strongly evokes Jay Gatsby , the protagonist of F. Scott Fitzgerald's The Great Gatsby .

"Jay Bank 1923" is likely a reference to Jay Cook's bank (Jay Cooke & Co.) or, more commonly, the Jay Cooke State Bank

in Minnesota, which failed and was part of a major legal case involving the Minnesota State Banking Department in the early 1920s.

If you are looking for an essay on the banking environment or specific institutions of 1923, below is a summary of the historical and legal context of that era often found in academic papers. Historical Context: The 1923 Banking Crisis

By 1923, the United States was experiencing the aftermath of the post-WWI agricultural depression, leading to a significant wave of bank failures, particularly in the Midwest and South. Bank Failures The legacy of 1923 was economic ruin for the unprepared

: Thousands of small, rural "unit banks" failed because they were heavily invested in agriculture and had limited diversification. The Jay Cooke State Bank Case : A notable 1923 legal issue involved the Jay Cooke State Bank

(often associated with the name "Jay Bank" in shorthand). The Minnesota Supreme Court ruled on cases involving its liquidation and the liability of its directors during this year. Federal Reserve Stability Federal Reserve

, established only a decade prior, was still refining its role as a "lender of last resort" to prevent such failures from cascading into a national panic. Major Themes for an Essay

If you are writing a paper on this topic, focus on these three pillars: Unit Banking vs. Branch Banking

: Discuss why small independent banks (like the Jay Cooke State Bank) were more vulnerable to local economic shocks than larger branch networks. Regulatory Failure

: Examine the role of state banking commissioners in 1923 and their inability to provide enough oversight to prevent insolvency. Economic Transition

: Analyze the shift from the wartime economic boom to the 1920s deflation that crushed rural banks. Research Resources Federal Reserve History

: For essays on banking stability and the events of 1923, the Federal Reserve History Essays provide authoritative data. Archive Sources

: You can find digitized financial chronicles from 1923 on the FRASER archive

, which includes reports on specific bank liquidations from that year. specific legal case involving a Jay Bank, or would you like a sample outline for a historical essay on 1920s banking?

In the world of urban legends and historical oddities, the name is often whispered alongside the year

in a tale of "free" money and a phantom financial institution.

While no registered banking institution under the name "Jay Bank" officially operated with a free-money policy in 1923, the legend appears to be a modern cultural mashup of a few high-profile events from that specific year: 1. The Great Inflation Echo , the world was reeling from the hyperinflation crisis in Weimar Germany

. Currency became so worthless that banks were essentially "giving it away" because the paper it was printed on had more value as fuel than as tender. Stories of people carrying wheelbarrows of "free" cash to buy a loaf of bread became the stuff of legend, possibly seeding the "free bank" myth. 2. The Rise of "Weird Tales"

Coincidentally, the first issue of the legendary pulp magazine Weird Tales appeared on newsstands in February

[27]. This magazine specialized in stories of strange occurrences, phantom buildings, and supernatural entities. The name "Jay Bank" sounds like a classic pulp fiction character or a mysterious location from a Lovecraftian era story, where a "free" service always comes with a dark, hidden cost. 3. The "Free" Bank of Rosewood In January , the self-sufficient Black town of Rosewood, Florida

was destroyed by a white mob [3, 4]. In the aftermath, many residents lost their land and businesses. Decades later, the story of "free" compensation emerged when the Florida legislature voted for reparations

in 1994—the first time a state government compensated survivors for racial violence [3]. This "free" payout was a long-delayed attempt at justice for the events of 1923. 4. Modern "Jay Banks"

(or Jay Banks) appears in modern digital spaces as a creator or persona, often sharing "free" advice or tips on platforms like

[29, 30]. It is likely that the "1923" connection is either a piece of fictional world-building or a reference to a specific vintage aesthetic popular in modern storytelling.

is a write-up based on the search term provided.


John Stevens
Wild Ways : Zen Poems of Ikkyū

Boston, Mass.: Shambhala, 1995. 131 p.

Table of Contents

Translator's Introduction 7
Zen Poems 21
Skeletons 115
Notes on the Poems 147
Notes on the Illustrations 151

Translator's Introduction

Ikkyu, born as the sun rose on the first day of 1394, was rumored to have been
sired by the emperor Gokomatsu. His mother, a member of the influential Fujiwara clan,
had been one of Gokomatsu's attendants at court, but she had been slandered by the
empress and subsequently ousted from the palace prior to Ikkyu's birth.

Being in such straitened circumstances, Ikkyu's mother was obliged to send him at
age five to Ankoku-ji, a Rinzai Zen temple in Kyoto, to be raised by the monks. The
precocious little acolyte quickly distinguished himself at the monastery, attaining renown
at that early age for both his keen mind and his impish behavior. Ikkyu may have been
mischievous, but even as a teenager he was deadly serious about Zen. When Ikkyu was
fifteen, he overheard the subabbot boasting about his family background and important
connections. "Filled with shame," Ikkyu abandoned Ankoku-ji and went to train under
Ken'o, an eccentric old-time master who lived in a shack in the hills.

Ikkyu remained with Ken'o until the master's death, in 1414. Despondent, the
troubled Ikkyu contemplated suicide for a time and then sought admission to the
community of monks training with Kaso, another no-nonsense Zen master of the old
school. The regimen at Kaso's retreat consisted of heavy work, meager food, little sleep,
and endless hours of meditation.

Ikkyu's struggle for awakening was long and arduous, but one midsummer night
in 1420, as he was meditating in a boat on lovely Lake Biwa, the caw of a crow brought
the twenty-six-year-old monk out of his stupor. Ikkyu's enlightenment verse:

For twenty years I was in turmoil
Seething and angry, but now my time has come!
The crow laughs, an arhat emerges from the filth,
And in the sunlight a jade beauty sings!

When Kaso presented Ikkyu with an inka, a seal of enlightenment, Ikkyu hurled it
to the ground in protest and stomped away. Despite this and other difficulties between
master and disciple, Kaso said, "Ikkyu is my true heir, but his ways are wild."

After Kaso died, in 1428, Ikkyu indeed went his own wild way, calling himself a
"crazy cloud." He spent much of his life as a vagrant monk, wandering here and there in
the environs of Kyoto, Nara, Osaka, and Sakai. Ikkyu mingled with all manner of people,
from the highest (he had several meetings with the retired emperor Gokomatsu) to the
lowest (he often traveled in the company of beggars). Ikkyu was the darling of merchants,
who loved his antic style, yet at the same time he was a defender of the poor against
greedy landlords. On occasion Ikkyu played Robin Hood—taking money set aside for a
rich man's funeral and spending it on the homeless, for example.

Once Ikkyu, clad in his customary shabby robe and tattered hat, went to beg at the
door of a wealthy family's home. He was roughly ordered around to the back of the estate
and given scraps. The following day, Ikkyu appeared at a vegetarian feast sponsored by
the family, but this time Ikkyu was decked out in the brocade robes of an abbot. When
the large tray of food was placed before him, Ikkyu removed his stiff robe and arranged it
in front of the tray. "What are you doing?" the startled host asked. "The food belongs to
the robe, not to me," Ikkyu replied as he got up to leave.

Ikkyu interspersed his travels with lengthy retreats deep in the mountains, where
he grew vegetables and meditated. He counted many artists among his wide circle of
acquaintances, and Ikkyu's own dynamic art had a profound impact on the development
of poetry, painting, calligraphy, the tea ceremony, flower arranging, and Noh drama in
Japan.

Periodically, Ikkyu was summoned to serve as chief priest of a temple, only to
quickly grow disgusted with the hypocrisy of fame-and-fortune Zen:

Who among Rinzai's descendants really transmits his Zen?
It is concealed in this Blind Donkey.
Straw sandals, a bamboo staff, an unfettered life—
You can have your fancy chairs, meditation platforms, and fame-and-fortune Zen.

Throughout his life, Ikkyu wanted his Zen to be raw, direct, and authentic. For
Ikkyu, part of being authentic was to be totally up front about sex: "If one is thirsty, he
dreams of water; if one is cold, he will dream of a thick robe. It is my nature to dream of
the pleasures of the bedchamber!" After initial experiences with homosexual love in the
monastery, Ikkyu turned to women as a constant source of inspiration and unbridled joy.
There were also difficult periods of deprivation and intense sorrow in Ikkyu's love life,
which he accepted as being equally valid Zen experiences.

Following eight decades of wild ways, in 1474 Ikkyu was asked to become head
abbot of Daitoku-ji, perhaps the most important Zen temple in the cultural history of
Japan. Daitoku-ji had been destroyed in the senseless Onin War, and in seven years Ikkyu
succeeded in having it completely rebuilt. The effort exhausted him, however, and Ikkyu
passed away while seated in the lotus posture in 1481, at age eighty-seven. Not long
before his death he told his disciples:

After I'm gone, some of you will seclude yourselves
in the forests and mountains to meditate, while others may
drink rice wine and enjoy the company of women. Both kinds
of Zen are fine, but if some become professional clerics,
babbling about "Zen as the Way," they are my enemies.

Ikkyu began composing poetry in his early teens, and more than a thousand
poems are contained in the Crazy Cloud Anthology compiled by his disciples. Just as in
everything else, Ikkyu totally ignored the rules of composition, and his poems come in all
styles and forms. Much of his verse rants against the pervasive hypocrisy of the Buddhist
establishment and decries the corruption of the imperial court and its officials. Such
criticism was entirely justified, but even Ikkyu himself felt that he often went too far—
"How many have I slain with my barbed words?" He ranted against himself as well,
bemoaning his lack of self-control and his inordinate love of poetry. In addition to poems
on standard religious subjects, Ikkyu composed a number of poems on koan phrases
(usually his poems are more difficult to understand than the koans themselves). Ikkyu
wrote several prose poems on Buddhist themes, the best being "Skeletons," which is
included at the end of this collection.

As a poet, Ikkyu was at his finest when writing about what he loved most: the
unfettered Zen life and the joys of sexual intimacy. The selection presented here in Wild
Ways consists of verses centering around those two themes. It may seem ironic that a
Buddhist monk is best remembered for his love songs, but we also have the example of
the sixth Dalai Lama, who once chanted:

If the bar-girl does not falter,
The beer will flow on and on.
This maiden is my refuge
And this place my haven.

Zen Poems

One Short Pause

One short pause between
The leaky road here and
The never-leaking Way there:
If it rains, let it rain!
If it storms, let it storm!

A Crazy Cloud, out in the open,
Blown about madly, as wild as they come!
Who knows where this cloud will go, where the wind will still?
The sun rises from the eastern sea, and shines over the land.

Forests and fields, rocks and weeds - my true companions.
The wild ways of the Crazy Cloud will never change.
People think I'm mad but I don't care:
If I'm a demon here on earth, there is no need to fear the hereafter.

Every day, priests minutely examine the Dharma
And endlessly chant complicated sutras.
Before doing that, though, they should learn
How to read the love letters sent by the wind and rain, the snow and moon.

Monks these days study hard in order to turn
A fine phrase and win fame as talented poets.
At Crazy Cloud's hut there is no such talent, but he serves up the taste of truth
As he boils rice in a wobbly old cauldron.

Bliss and sorrow, love and hate, light and shadow, hot and cold, joy and anger, self and other.
The enjoyment of poetic beauty may well lead to hell.
But look what we find strewn all along our Path:
Plum blossoms and peach flowers!

Ten days in this temple and my mind is reeling!
Between my legs the red thread stretches and stretches.
If you come some other day and ask for me,
Better look in a fish stall, a sake shop, or a brothel.

Returning to the City from the Mountains

Crazy Cloud blown by who knows what wild wind.
In the mountains by day, in the city by night.
I shout katsu and wield the staff when I see fit,
Even Rinzai and Tokusan would be no match for me.

I Hate Incense

A master's handiwork cannot be measured
But still priests wag their tongues explaining the "Way" and babbling about "Zen."
This old monk has never cared for false piety
And my nose wrinkles at the dark smell of incense before the Buddha.

Crazy Cloud speaks of Daito's unsurpassed brilliance
But the clatter of royal carriages about the temple gates drowns him out
And no one listens to tales of the Patriarch's long years
Of hunger and homelessness beneath Gojo Bridge.

Monk Gantō practiced Zen while rowing a boat;
Monk Chin gathered rushleaf to make sandals.
I always praise the great worth of a single raincoat and straw hat -
But who is there to appreciate their true elegance?

Raincoat and Straw Hat

Woodcutters and fishermen know just how to use things.
What would they do with fancy chairs and meditation platforms?
In straw sandals and with a bamboo staff, I roam three thousand worlds,
Dwelling by the water, feasting on the wind, year after year.

A Fisherman

Studying texts and stiff meditation can make you lose your Original Mind.
A solitary tune by a fisherman, though, can be an invaluable treasure.
Dusk rain on the river, the moon peeking in and out of the clouds;
Elegant beyond words, he chants his songs night after night.

Who needs the Buddhism of ossified masters?
Me, I've spent three decades alone in the mountains
And solved all my koans there,
Living Zen among the tall pines and high winds.

A Moonless Midautumn

No moon on the best night for moon viewing;
I sit alone near the iron candle stand and quietly chant old tunes-
The best poets have loved these evenings
But I just listen to the sound of the rain and recall the emotions of past years.

My Mountain Monastery

A thatched hut of three rooms surpasses seven great halls.
Crazy Cloud is shut up here far removed from the vulgar world.
The night deepens, I remain within, all alone,
A single light illuminating the long autumn night.

A Hermit Monk in the Mountains

I like it best when no one comes,
Preferring fallen leaves and swirling flowers for company.
Just an old Zen monk living like he should,
A withered plum tree suddenly sprouting a hundred blossoms.

Lingering Chrysanthemums in the South Garden

The last chrysanthemums of late autumn fade along the east hedge;
I face the southern mountains, my thoughts a million miles away.
I know nothing about the Three Essentials or
Three Mysteries of Zen Buddhism,
Delighting instead in the elegance of Yuan-rning's songs.

Shut up in a hut chanting verse beside a single lamp;
A poet-monk just follows nature without a set path.
The advent of spring lifts my melancholy a bit, but the night is still so chill,
Freezing even the plum blossoms on my calligraphy paper!

Relativity

Buddha died just when nature was coming back to life:
One sword cleaves cleanly soul and body.
It is hard to obtain Buddhahood that is not born and does not die --
Flowers appear and disappear seamlessly in spring.

Enlightenment and Delusion

No beginning, no end, this one mind of ours.
The Original Mind cannot become Buddhanature.
Original Buddhahood is Buddha's mischievous talk;
The Original Mind of sentient beings is nothing but delusion.

My real dwelling
Has no pillars
And no roof either
So rain cannot soak it
And wind cannot blow it down!

Coming alone,
Departing alone,
Both are delusion:
Let me teach you how
Not to come, not to go!

Of all things
There is nothing
More congratulatory
Than a weatherbeaten
Old skull!

I'd like to
Offer something
To help you
But in the Zen School
We don't have a single thing!

Poem Inscribed on a Painting of Bodhidharma

He does not lie down, he does not get up,
He does not think about things.
He does not know,
And if you ask he will say mu!
Even if you do not ask
He will give you mu!
Question or not,
He does not have a word to say.
Honorable Bodhidharma --
What should we keep in our hearts?

My Hovel

The world before my eyes is wan and wasted, just like me.
The earth is decrepit, the sky stormy, all the grass withered.
No spring breeze even at this late date,
Just winter clouds swallowing up my tiny reed hut.

Poem Exchanged for Food

Once again I'm roaming East Mountain hungry.
When you are starving, a bowl of rice is worth a thousand pieces of gold.
An ancient worthy swapped his wisdom for a few lichee nuts,
Yet I still cannot refrain from singing odes to the wind and moon.

In Thanks for a Gift of Soy Sauce

Untrammeled and free for thirty years
Crazy Cloud practices his own brand of Zen.
A hundred flavors spice my simple fare:
Thin gruel and twig tea are part of the True Transmission.

Cancel All Debts

Robbers never strike at the homes of the poor;
Private wealth does not benefit the entire nation.
Calamity has its source in the accumulated riches of a few,
People who lose their souls for ten thousand coins.

A Poem of Protest

Over and over,
Taking and taking
From this village:
Starve the farmers
And how will you live?

If your meditation cannot work in the Hall of Life and Death,
Fame and fortune will captivate you completely.
Human beings have a mixed bill of fare to be sure:
Sometimes tasty meat stew, sometimes weak citrus-rind tea!

Fleeing from Mika-no-Hara to Nara to Escape the War

The road I travel is hard, so hard, and I know every step.
These mountains and rivers must be like those of China.
After traversing ten thousand leagues and wading through ten thousand scrolls,
I've learned to savor the poetry of Tu Fu.

Typhoons and floods make everyone suffer,
And tonight there will be no singing and dancing.
The Dharma flourishes and decays, ages come and go:
So right yet so sad-the bright moon sets behind the Western Pavilion.

A Gentleman's Wealth

A poet's treasure consists of words and phrases;
A scholar's days and nights are perfumed with books.
For me, plum blossoms framed by the window is an unsurpassable pleasure;
A stomach tight with cold but still enchanted by snow, the moon, and dawn frost.

Fertilizing My Bamboo Grove with Horse Manure

Look, look, how I nourish the phoenix mind of mine:
Swallows, sparrows, pigeons, crows, all birds are welcome here.
Rinzai planted pine, Ikkyii cultivates bamboo --
Later generations will praise us for really doing something.

A Meal of Fresh Octopus

Lots of arms, just like Kannon the Goddess;
Sacrificed for me, garnished with citron, I revere it so!
The taste of the sea, just divine!
Sorry, Buddha, this is another precept I just cannot keep.

Honored One of the Forest

I raised a small sparrow that I loved deeply. One day it
suddenly died and, griefstricken by the loss, I decided to
conduct afuneral service for my little companion just as
if it were a human being.At first I called it Disciple
Sparrow, but then upon its death I changed it to Buddha
Sparrow. Finally, I presented it with the posthumous
Buddhist title, Honored One of the Forest. I composed
this poem as a memorial.

A sixteen-foot body of purple and gold
Lies between the twin trees of nirvana.
Now liberated from falsehood, beyond life and death,
Yet present in a thousand mountains, ten thousand trees, and hundreds of springs.

Nightingale

A bird too chants sutras of salvation
Filling the trees with marvelous tones.
Forest flowers are like Bodhisattvas,
Surrounding a little bird-buddha.

Nature's Way

The wise heathens have no knowledge;
They just keep their mind continually set on the Way.
There are no big-shot Buddhas in nature,
And ten thousand sutras are distilled in a single song.

The Dreamy Sound of Bokushitsu's Shakuhachi Awakened Me
from Deep Sleep One Moonlit Night

A wonderful autumn night, fresh and bright;
Over the echo of music and drums from a distant village
The single clear tone of a shakuhachi brings a flood of tears –
Startling me from a deep, melancholy dream.

Exhausted with gay pleasures, I embrace my wife.
The narrow path of asceticism is not for me;
My mind runs in the opposite direction.
It is easy to be glib about Zen - I'll just keep my mouth shut
And rely on love play all the day long.

A Man's Root

Eight inches strong, it is my favorite thing;
If I'm alone at night, I embrace it fully—
A beautiful woman hasn't touched it for ages.
Within my fundoshi there is an entire universe!

A Woman's Sex

It has the original mouth but remains wordless;
It is surrounded by a magnificent mound of hair.
Sentient beings can get completely lost in it
But it is also the birthplace of all the Buddhas of the ten thousand worlds.

Rinzai's disciples never got the Zen message,
But I, the Blind Donkey, know the truth:
Love play can make you immortal.
The autumn breeze of a single night of love is better than a hundred thousand years of
sterile sitting meditation. . .

Stilted koans and convoluted answers are all monks have,
Pandering endlessly to officials and rich patrons.
Good friends of the Dharma, so proud, let me tell you,
A brothel girl in gold brocade is worth more than any of you.

Emerging from the world's grime, a puritan saint is still nowhere near a Buddha.
Enter a brothel once and Great Wisdom will explode upon you.
Manjushri should have let Ananda enjoy himself in the whorehouse –
Now he will never know the joys of elegant love play.

A sex-loving monk, you object!
Hot-blooded and passionate, totally aroused.
Remember, though, that lust can consume all passion,
Transmuting base metal into pure gold.

The lotus flower
Is unstained by mud;
This single dewdrop,
Just as it is,
Manifests the real body of truth.

Follow the rule of celibacy blindly and you are no more than an ass;
Break it and you are only human.
The spirit of Zen is manifest in ways countless as the sands of the Ganges.
Every newborn is a fruit of the conjugal bond.
For how many aeons have secret blossoms been budding and fading?

With a young beauty, sporting in deep love play;
We sit in the pavilion, a pleasure girl and this Zen monk.
Enraptured by hugs and kisses,
I certainly don't feel as if I am burning in hell.

In Praise of Fish-Basket Kannon

Crimson cheeks, light-colored hair, full of compassion and love.
Lost in a dream of love play, I contemplate her beauty.
Her thousand eyes of great mercy look upon all but see no one beyond redemption.
This goddess can even be a fisherman's wife by a river or sea, singing of salvation.

Long ago, there was an old woman who had supported a hermit monk for twenty years.
She had a sixteen-year-old girl bring him meals. One day she instructed the girl to
embrace the monk and ask, "How do you feel right now? " The young girl did as told,
and the monk's response was, "I'm an old withered tree against a frigid cliff on the
coldest day of winter. " When the girl returned and repeated the monk's words to the old
woman, she exclaimed. "For twenty years I've been supporting that base worldling!" The
old woman chased the monk out and put the hermitage to the torch.


The old woman was bighearted enough
To elevate the pure monk with a girl to wed.
Tonight if a beauty were to embrace me
My withered old willow branch would sprout a new shoot!

Poem Presented to My Friend Ako at the Hot Spring

It is nice to get a glimpse of a lady bathing—
You scrubbed your flower face and cleansed your lovely body
While this old monk sat in the hot water,
Feeling more blessed than even the emperor of China!

When we parted, it broke my heart;
Her powdered cheeks were more beautiful than spring flowers.
My lovely miss is now with another,
Singing the same love song but to a different tune.

Reminiscences

Memories and deep thoughts of love pain my breast;
Poetry and prose all forgotten, not a word left.
There is a path to enlightenment but I've lost heart for it.
Today, I'm still drowning in samsara.

The Dharma Master of Love

My life has been devoted to love play;
I've no regrets about being tangled in red thread from head to foot,
Nor am I ashamed to have spent my days as a Crazy Cloud –
But I sure don't like this long, long bitter autumn of no good sex!

For ten straight years, I reveled in pleasure houses.
Now I'm all alone deep in the dark mountain valley.
Thirty thousand cloud leagues live between me and the places I love.
The only sound that reaches my ears is the melancholy wind blowing in the pines.

Three Poems on Love and Longing

Day and night I cannot keep you out of my thoughts;
In the darkness, on an empty bed, the longing deepens.
I dream of us joining hands, exchanging words of love,
But then the dawn bell shatters my reverie and rends my heart.

Women, lovely flowers that bloom and quickly fade;
Flowery faces, in full flush, lovely as dreams.
When flowers burst open they grow heavy with passion
But once they fall, no one speaks of them again.

Even if I were a god or a Buddha you'd be on my mind.
I sit beneath the lamp, a skinny monk chanting love songs.
The fierce autumn wind nearly bowls me over
And my heart is choked with thick clouds.

Under the Fragrant Eaves

The bamboo thicket has a new set of sprouts.
This old monk feels young again,
My beauty is just thirty-six.
A fresh breeze blows through the crumbling walls.

The Stick of Zen

Sexual love can be so painful when it is deep,
Making you forget even the best prose and poetry.
Yet now I experience a heretofore unknown natural joy,
The delightful sound of the wind soothing my thoughts.

To Lady Mori

The most beautiful and truest of all women;
Her songs the fresh, pure melody of love.
A voice and sweet smile that rends my heart—
I'm in a spring forest of lovely cherry-apples.

Every night, Blind Mori accompanies me in song.
Under the covers, two mandarin ducks whisper to each other.
We promise to be together forever,
But right now this old fellow enjoys an eternal spring.

Lady Mori's Gifted Touch

My hand is no match for that of Mori.
She is the unrivaled master of love play:
When my jade stalk wilts, she can make it sprout!
How we enjoy our intimate little circle.

Lady Mori Rides in a Palanquin

My blind love goes riding in a palanquin on spring outings.
When I'm sorely distressed she lifts my gloom.
Everyone makes fun of us, but
I love to gaze upon her, an elegant beauty.

Within your bedchamber, emotion for a torrent of poems.
Amid the flowers we sing and dance blissfully;
Sporting like mandarin ducks --
Our love play soars to heights unimagined.

Dead winter but our poetry glows;
Drunk after downing cup after cup.
Years since I enjoyed such sweet love play.
The moon disappears, dawn breaks, yet we hardly notice.

A Jonquil Flower

The perfume from her narcissus causes my
bud to sprout, sealing our love pact.
The delicate fragrance of the flower of eros,
A waterborne nymph, she engulfs me in love play,
Night after night, by the emerald sea, under the azure sky.

My Beauty's Dark Place Is a Fragrant Narcissus

I am infatuated with the beautiful Mori from the celestial garden.
Lying on the pillows, tongue on her flower stamen,
My mouth fills with the pure perfume of the waters of her stream.
Twilight comes, then moonlight shadows, as we sing fresh songs of love.

By river or sea, in the mountains,
A man of the Way shuns fame and fortune.
Night after night, we two lovebirds snuggle on the meditation platform,
Lost in dalliance, intimate talk, and orgasmic bliss.

To Lady Mori with Deepest Gratitude and Thanks

The tree was barren of leaves but you brought a new spring.
Long green sprouts, verdant flowers, fresh promise.
Mori, if I ever forget my profound gratitude to you,
Let me burn in hell forever.

To My Daughter

Even among beauties she is a precious pearl;
A little princess in this sorry world.
She is the inevitable result of true love,
And a Zen master is no match for her!

Farewell, Lady Mori

Ten years ago beneath the blossoms we began a fragrant alliance.
Each stage was a delight, full of endless passion.
How poignant, never again to pillow my head on her lap.
Making sweet love together, we vowed to be together always.

Upon Becoming Abbot of Daitoku-ji

Daitō's descendants have nearly extinguished his light;
After such a long, cold night, the chill will be hard to thaw even with my love songs.
For fifty years, a vagabond in a straw raincoat and hat --
Now I'm mortified as a purple-robed abbot.

Self-Portrait

The long sword flashes against heaven.
My skeleton exposed for all to see.
Me, I am praised as a general of Zen,
Tasting life and enjoying sex to the fullest!

Death Verse

In this vast realm
Who understands my Zen?
Even if Master Kidō shows up,
He is not worth a cent!

– – –

Cf.
Ikkyū Sōjun (1394-1481)
In: Three Zen Masters: Ikkyū, Hakuin, and Ryōkan
by John Stevens
Kodansha International, Tokyo, New York, London, 1993, pp. 9-57.

– – –

When it blows,
The mountain wind is boisterous,
But when it blows not,
It simply blows not.



Dimly for thirty years;
Faintly for thirty years, -
Dimly and faintly for sixty years:
At my death, I pass my faeces and offer them to Brahma.



Like vanishing dew,
a passing apparition
or the sudden flash
of lightning -- already gone --
thus should one regard one's self.

Cover your path
With fallen pine needles
So no one will be able
To locate your
True dwelling place.

Every day priests minutely examine the Dharma
And endlessly chant complicated sutras.
Before doing that, though, they should learn
How to read the love letters sent by the wind and rain, the snow and moon.



A wonder autumn night, fresh and bright;
Over the echo of music and drums from a distant village
The single clear tone of a shakuhachi brings a flood of tears—
Startling me from a deep, melancholy dream.