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About Us

The UNESCO-UNEVOC International Centre: Who We Are | What We Do | Donors and partners | Working With Us | Get in Touch


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The UNEVOC Network: Learn About the Network | UNEVOC Network Directory | UNEVOC Network Spotlight
For Members: UNEVOC Centre Dashboard


Skills for Work and Life

Thematic Areas: Inclusion and Youth | Digital Transformation | Private Sector Engagement | SDGs and Greening TVET
Our Key Programmes & Projects: BILT: Bridging Innovation and Learning in TVET | Building TVET resilience | TVET Leadership Programme | WYSD: World Youth Skills Day | UNEVOC Network Coaction Initiative
Past Activities: COVID-19 response | i-hubs project | TVET Global Forums | Virtual Conferences | YEM Knowledge Portal


Knowledge Resources

Publications & guides: Publications | Greening TVET guide | Entrepreneurial learning guide | Inclusion in TVET guide
Resources: TVET Forum | TVETipedia Glossary | Global Skills Tracker | TVET Country Profiles | Innovative and Promising Practices | Open Educational Resources | Digital Competence Frameworks | TVET Toolkits
Events: Major TVET Events | UNEVOC Network News


Cultural note: TV networks (NHK, NTV, TBS, Fuji, TV Asahi) are highly conservative. Celebrities are often controlled by talent agencies (more below).


| ✅ Do | ❌ Don’t | |--------|----------| | Learn to use Japanese fan communities (Twitter JP, 5ch, Fanplus) | Post leaks of drama/manga plots – Japanese fans hate spoilers | | Buy official merchandise to support creators | Pirate anime or J-dramas – industry relies on DVD/Blu-ray sales | | Respect seiyuu events – no touching, no shouting during quiet scenes | Ask actors about private life at events | | Learn basic Japanese greetings (thank you, sorry, excuse me) | Assume all J-pop idols sing live – many lip-sync on TV | | Follow official fan club rules (strict but worth it) | Photograph stage actors or inside concert venues |


The "Cool Japan" initiative—a government strategy to monetize cultural exports—has had mixed success. While anime and games sell well, the domestic industry still largely creates for a domestic audience.

However, streaming is changing the game. Netflix and Disney+ have begun co-producing Japanese content, such as Alice in Borderland and the Gundam live-action film. This forces Japanese studios to adapt to international pacing and storytelling structures, often clashing with the slow, ma-heavy domestic style.

The rise of "Korean Wave" (Hallyu) competition has also forced adaptation. While Korea excels at tight, 16-episode romance dramas, Japan is refocusing on what it does best: niche, long-running variety, and animation.



 
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