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Abstract This paper explores the thematic and musical significance of the song Jaoon Kahan Bata Ae Dil from the film Chhoti Bahen (1959). Composed by Shankar-Jaikishan and sung by Mukesh, the song serves as a quintessential example of the "tragic hero" archetype in Golden Era Bollywood. The analysis focuses on the lyrical depth of Shailendra, the minimalist musical arrangement, and the song’s function as a narrative device for expressing existential despair and sibling-oriented tragedy.

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Bollywood’s Golden Era (1940s–1960s) was defined by its ability to integrate complex emotional narratives into musical sequences. Among the vast repertoire of melancholic songs, Jaoon Kahan Bata Ae Dil stands out as a masterpiece of despair. Picturized on the actor Balraj Sahni, the song captures a moment of absolute hopelessness. Unlike typical romantic numbers which resolve in union or separation between lovers, this song addresses the internal turmoil of a man who feels he has nowhere left to go, making it a unique study in cinematic pathos. Abstract This paper explores the thematic and musical