Ivy Audio Piano In 162 Best Page

The "162" in the name refers to the specific Steinway Model B instrument sampled. The library was created by composer and developer Simon Leng, intended to provide a high-fidelity sound without the bloat of massive commercial libraries.

Use a 1176-style compressor. Ratio: 4:1. Attack: Slow (10ms). Release: Fast (50ms). Because the 162 Best lacks the hyped high-end of modern pianos, you can compress it heavily without getting string squeak or harsh transient spikes. ivy audio piano in 162 best

Because this is a free library, the feature set is streamlined. The "162" in the name refers to the

Velocity Curves: Users can adjust the velocity curve to match their MIDI controller, which is essential for getting the right feel depending on the keyboard being used.

First, let's demystify the name. The "Ivy Audio Piano" is a sampled grand piano—specifically a Yamaha C7 Conservatory Grand. The "162 Best" refers to a specific, legendary version of this library. Ivy Audio, a boutique sample label known for transparency and acoustic purity, originally released the "Piano in 162" as a free Kontakt library. Over time, via community feedback and meticulous remastering, the "Best" version emerged: a curated selection of the 162 most pristine samples from the original session. Velocity Curves: Users can adjust the velocity curve

Unlike modern libraries that boast 30 velocity layers across 20 microphones, the Ivy Audio Piano in 162 Best does something radical. It uses only two microphone positions (Close and Ambient) but captures them with such pristine gain-staging that the dynamic range rivals an actual concert hall.

It is important to note that Ivy Audio is no longer actively developing new libraries. The "Piano in 162 Best" was a swan song—a gift to the community. The creator wanted to prove that sample libraries had become bloated with unnecessary data. By stripping away the fat and keeping only the "Best" 162 samples, they created an instrument that loads in seconds, CPU usage is negligible, and the emotional response is immediate.

Here is where the keyword "Best" earns its weight. In the original recording, there was residual room tone. In the "162 Best" edition, Ivy Audio went back and gated the silent sections without cutting the natural decay. The result? A black background. When you play a chord and let go, you don't hear digital hiss; you hear the actual wooden resonance of a Yamaha C7 dying in a treated room.