Itsukaichi Mei A Sexual Target For A Dass502 Upd Verified May 2026
Superficially, Kogane is Mei’s opposite—loud, energetic, physical. However, Mei targets Kogane for a specific reason: honesty. Kogane cannot lie. Mei finds this "fascinating."
In the vast constellation of The Idolm@ster Shiny Colors, few characters shine with the quiet, intense luminosity of Itsukaichi Mei. At first glance, she appears to be the archetypal "cool beauty"—a reserved, nature-loving girl from the rural outskirts of Tokyo who would rather talk to birds than to idols in a makeup room. However, beneath that placid surface lies one of the most fascinating psychological profiles in modern idol media. When fans search for "Itsukaichi Mei target relationships and romantic storylines," they aren't just looking for shipping fuel; they are diving into a complex web of emotional barriers, targeted vulnerability, and a unique definition of love that challenges the standard "Producer x Idol" trope.
This article dissects Mei’s specific targets within her social circle, the quasi-romantic arcs embedded in her commus (communications), and why her storylines resonate so deeply with fans looking for an ace/aro spectrum narrative or a slow-burn, exclusive connection.
Mei is a character defined by what she hides. This feature adds a dedicated tab in the UI called the "Secret Synopsis." itsukaichi mei a sexual target for a dass502 upd verified
Target: Someone on the “Wrong Side” (a rival faction member, a teacher/mentor figure in a taboo setting, or a person tied to her past trauma)
Why it works: Mei’s strong moral code makes forbidden romance devastating. Every stolen glance carries weight because she knows the cost. This storyline tests her loyalty—not just to others, but to herself. Does she follow her heart or her duty? The best versions of this arc end with her choosing both in a way that changes the rules.
Key romantic beats:
Outside the Producer, Mei’s most significant target relationship is with her fellow idols, specifically those who embody the adulthood she both covets and rejects. Her interactions with the mature, capable idols like Kiriko Yukoku or the refined Mano Sakuragi are particularly telling. In these storylines, Mei’s romantic subtext shifts from seeking a protector to seeking a mirror.
Mei is often drawn to older, more self-possessed women with a sense of subdued tragedy or world-weariness. She projects onto them a fantasy of what she could become if she stopped playing the child. Her “chase” of Kiriko, for example, is laden with a desperate, almost courtly affection. She will try to mimic Kiriko’s jaded coolness, only to fail spectacularly and revert to her childish persona. This is not a lesbian romance in the traditional sense, but a romance of identity. Mei is in love with the idea of these women—their stability, their self-containment, their ability to be loved without performing helplessness.
The tragedy here is that these targets cannot reciprocate in the way Mei needs. They see her as a kouhai, a friend, or a curious oddity. They cannot become the mirror that reflects a new, adult Mei because that Mei does not truly exist. The romantic storyline with her peers is a series of failed experiments in self-reinvention, each one reinforcing the lesson that her childish mask is her only functional tool for connection. Mei finds this "fascinating
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Due to the ambiguity of Mei’s canon, fan-driven romantic storylines explode in popularity. The "target" tag on fan art sites (Pixiv, Twitter) often features Mei in three scenarios: