Getsuyoubi no Tawawa is a collection of illustrations and short stories originally posted on Twitter every Monday to help people get through the "Monday Blues." It evolved into a full manga series and anime adaptation.
Why is Chapter 111 significant? As the series progresses past 100 chapters, fans often look forward to seeing the progression of the "Onii-san" and Ai-chan dynamic, moving from simple commutes to more personal interactions. Each chapter serves as a standalone "healing" episode.
Useful Tip: If you cannot find the raw on typical aggregator sites, searching the Japanese title "月曜日のたわわ 111話" on Google or Twitter will usually yield the official tweet or image boards hosting the raws directly.
In the serialized manga Getsuyoubi no Tawawa (Tawawa on Monday), Chapter 111 is titled "Jitome-chan, Part 17".
The chapter focuses on the evolving dynamics between Jitome-chan and her cousin, Glasses-niisan. Chapter 111: Plot Summary
Imouto-chan's Discovery: Ai-chan's younger sister, Imouto-chan, observes Jitome-chan's relationship and initially assumes the cousin is the one in control.
The Power Dynamic: The chapter reveals a subversion of expectations where Jitome-chan actually holds the upper hand in the relationship. While Glasses-niisan attempts to explain the "science" or logic of their situation, Jitome-chan asserts her "tawawa power," effectively leaving him with no chance to resist her influence.
Character Development: The story highlights Jitome-chan's assertive side, particularly her "look" that treats her cousin almost like a baby, a dynamic that Glasses-niisan seems to accept as a "win-win" for both.
Future Implications: Imouto-chan considers sharing what she learned about using such influence with her own sister, Ai-chan, potentially to use against Onii-san. Series Context
Manga Serialization: This chapter is part of the official weekly serialization in YanManga Magazine, which retells and expands upon the original Twitter illustrations.
Volume Collection: Chapter 111 is included in Manga Volume 12, which was released in February 2025. Getsuyoubi no Tawawa is a collection of illustrations
"Yue Yao Ri no Tawawa" is the Romaji transcription of the Japanese title "月曜日のたわわ" (Getsuyoubi no Tawawa).
[DISC] Getsuyoubi no Tawawa | [Blue Version Inside] : r/manga
Chapter 111 of Kiseki Himura’s Getsuyoubi no Tawawa (Tawawa on Monday), titled "Jitome-chan, Part 17," was released on October 21, 2024, in Weekly Young Magazine
and is included in Volume 12. The chapter continues the storyline of the character Jitome-chan and her romantic relationship with her cousin, as discussed by fans. Detailed information about the chapter can be found at the Getsuyoubi no Tawawa Wiki Chapter 111 | Getsuyoubi no Tawawa Wiki | Fandom
For those pursuing the raw experience, here are the best options:
Avoid unofficial raw sites that bundle malware or low-resolution screenshots. Always prioritize the artist’s revenue stream—Tawawa exists because of its loyal Monday fanbase.
In the sprawling, semi-anonymous landscape of web manga, few series have maintained a cult grip quite like Getsuyoubi no Tawawa (Tawawa on Monday) by Kiseki Himura. What began as a weekly dose of "physical encouragement" for Japanese salarymen has evolved into a surprisingly nuanced tapestry of character-driven vignettes. The release of "Raw - The new chapter 111" (often conflated with the ongoing Tawawa on Monday and its spin-off Yue Yao Rinotawawa) demands a closer look—not for its surface-level fan service, but for its subtextual maturity.
The "Raw" Distinction: Stripping Back the Gimmick
The "Raw" tag in the title is crucial. Unlike the serialized, dialogue-heavy chapters that appear in Monthly Action magazine, the "Raw" chapters (typically posted directly to Himura’s Pixiv) are often unpolished, minimalistic, and intensely focused on a single emotional beat. Chapter 111 fits this mold perfectly. It strips away the usual office corridor or train station setting. Instead, we find the perpetually unnamed "Kouhai-chan" (the series’ de facto mascot) in a private, unguarded moment.
The "Raw" aspect is not just about artistic finish; it's about vulnerability. The line art is looser, the screentone sparse. This mirrors the content: Kouhai-chan isn't performing her usual energetic greeting for "Senpai." She is caught in a rare state of reflective stillness. The chapter's "plot"—if one can call it that—involves her tracing the outline of a coffee stain on a wooden desk, a visual metaphor for the lingering impressions we leave on others’ lives. Why is Chapter 111 significant
Chapter 111’s Core Theme: The Weight of Routine
While earlier chapters reveled in the comedic weight of her chest, Chapter 111 pivots to the emotional weight of routine. The dialogue, sparse even by Himura’s standards, consists of a single internal monologue: “It’s Monday again. That’s not a complaint.”
This is the genius of the series hiding in plain sight. For 110 prior chapters, the "Tawawa" (a Japanese onomatopoeia for something soft and bouncy) has been a physical gag. By Chapter 111, Himura subverts his own formula. Kouhai-chan’s physical attributes are almost entirely obscured in three of the five panels. Instead, we see her hands, her collarbone, the back of her neck. The eroticism has shifted from spectacle to intimacy. The "Tawawa" here is not the bounce of flesh, but the soft, heavy thud of a heart anticipating a familiar presence.
The Yue Yao Rinotawawa Connection: The Lunar Reflection
The parenthetical subtitle—Yue Yao Rinotawawa—is a fascinating layer. This is the series’ recurring motif of the "moon" (tsuki) and "waist/hip" (koshi) pun, but here it manifests as a literal reflection. In Chapter 111, a single panel shows Kouhai-chan's silhouette reflected in a dark window pane. The reflection’s proportions are distorted, elongating her figure into something almost lunar—ethereal and distant.
This is the "Rinotawawa" (the "ring" or "cycle" of softness). Himura suggests that the Monday morning meeting is not just a chance encounter, but a cyclical ritual. The chapter implies that for every Monday Senpai sees her, there are six other days where she exists only in her own reflection—waiting, remembering, compressing her energy into a single day of the week. The "raw" nature of the art emphasizes this: the reflection is sketched faintly, as if it might disappear before the reader's eyes.
Conclusion: The Quiet Before the Bounce
Getsuyoubi no Tawawa Chapter 111 (Raw) is a masterclass in doing very little to say a great deal. For the casual reader, it is a "nothing chapter"—five panels of a girl sitting at a desk. For the invested, it is a thesis statement. Himura has spent over a decade drawing the same joke. Here, he pauses the punchline to examine the comedian.
The "Tawawa" on Monday was never just about the physical. It was about the promise of a recurring moment of joy in a grey workweek. Chapter 111, in its raw, unfiltered state, finally admits that the joy cuts both ways. It is heavy, soft, and cyclical—much like the moon, much like the weight on Kouhai-chan’s chest, and much like the invisible weight of the Monday morning she carries all week long.
The recent release of Chapter 111, titled "Jitome-chan, Part 17" (ジト目ちゃん⑰), represents a significant entry in Kiseki Himura's serialized manga Getsuyoubi no Tawawa (often subtitled Tawawa on Monday). This chapter continues the established "blue-tinted" slice-of-life aesthetic that began as a weekly Twitter (now X) illustration series. Narrative Focus: The "Jitome-chan" Arc Useful Tip: If you cannot find the raw
Chapter 111 centers on the character Jitome-chan and her evolving relationship with her cousin, often referred to by fans as Glasses-niisan.
The Plot: In this installment, Imouto-chan (the younger sister character) takes an active role by observing and learning more about the specific dynamics of Jitome-chan’s relationship.
Character Dynamics: Reviews from community discussions on Reddit's /r/manga suggest that Jitome-chan displays a more dominant or assertive "power dynamic" in this chapter, humorously "unleashing her full tawawa power" to overwhelm her cousin, who is portrayed as happily yielding to her whims.
Thematic Shift: Some readers have noted that while the series remains focused on its signature "boob and sex jokes," there is an increasing shift toward a "femdom" or assertive female lead dynamic across various couples, including Jitome-chan and her cousin. Series Context and Format
Volume Collection: This chapter is collected in Manga Volume 12, which was released in early 2025 and features Hokuro-chan on the cover.
Dual Versions: Following the series' tradition, Chapter 111 was released in two formats: the standard black-and-white serialization and the "Blue Version," which maintains the original webcomic's monochrome blue palette.
Publication: The manga is published by Kodansha in Japan. For those looking into more technical modeling or detailed figure work often associated with such characters, sites like Armorama offer insights into various scale modeling niche interests. Broader Impact and Reception
The series continues to be a staple of "Monday morning" digital culture in Japan, designed to provide a brief, lighthearted distraction from the start of the work week. While it remains popular, some long-term fans have expressed frustration with the slow narrative progress of the "main" couple, Ai-chan and Onii-san, noting that side characters like Jitome-chan often receive more concrete relationship development. Newsfirst.lk (@NewsfirstSL) • Facebook
Chapter 111 of Getsuyoubi no Tawawa , featuring Jitome-chan, was released in Weekly Young Magazine
on October 21, 2024, as part of Volume 12. The chapter follows Imouto-chan discovering more about the relationship between Jitome-chan and her cousin. For more details, visit Getsuyoubi no Tawawa Wiki Chapter 111 | Getsuyoubi no Tawawa Wiki | Fandom
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