-eng- Bad Things To Teach Her -rj01107130-
"Bad Things To Teach Her" is an adult-oriented training simulation game developed by a circle specializing in darker, niche themes. As the title suggests, the core gameplay loop revolves around the player taking on the role of a mentor or guardian figure who, rather than guiding a charge toward virtue, is tasked with corrupting, training, and molding a female protagonist into a specific archetype of debasement. It is a game designed strictly for a mature audience comfortable with themes of psychological manipulation and moral corruption.
The soundtrack is understated but effective. It relies heavily on piano and ambient tracks that loop seamlessly. The music creates a sense of mundane daily life, which makes the intrusion of "bad" elements feel more jarring. -ENG- Bad Things To Teach Her -RJ01107130-
Voice acting (if included in the specific version/patch) is a highlight. The actress manages to convey a wide range of emotions—from genuine cheerfulness to hesitant confusion and eventual resignation. The performance adds a necessary layer of humanity to the character, making the player’s choices feel weightier. "Bad Things To Teach Her" is an adult-oriented
"Bad Things To Teach Her" is not a game for everyone. It requires a stomach for themes of manipulation and moral decay. However, for those interested in the darker side of interactive storytelling, it offers a compelling look at how power dynamics function in isolation. The soundtrack is understated but effective
One critique is that the "game" elements—the stat grinding and time management—can occasionally break immersion. There are moments where you are optimizing for a specific scene rather than roleplaying the scenario, which slightly cheapens the narrative impact. Additionally, while the "good" endings are available, they feel somewhat like afterthoughts compared to the detail put into the corruption arcs.
In the shadows of a seemingly ordinary relationship, a quiet power shift begins. "Bad Things To Teach Her" follows the slow, deliberate corruption of innocence—not through force, but through whispered logic and the erosion of boundaries. The narrative places you (the listener/reader) in the role of the experienced mentor, the trusted figure who knows exactly which buttons to press, and which rules are meant to be broken.
The "her" in question is not naive, but dangerously curious. She asks questions that proper society told her not to ask. You provide the answers—soft, firm, and irrevocable. Each chapter is a lesson: first in trust, then in touch, then in transgression. By the time she realizes she has been taught bad things, she no longer wants to be good.