The user is searching for the Hindi lyrics of a song that begins with the line:
"Din dhale jab karke mazdoori raza aata hai baap"
(rough translation: When evening falls, after doing labor, the father comes home willingly)
This is a poignant line about a father returning home tired after a day of physical work. The song is from the 1975 Bollywood film Sanyasi (also known as Uphaar in some regions), starring Manoj Kumar, Prema Narayan, and Hema Malini.
Years later, the school stood sturdy, its walls covered with murals drawn by children—some showing bricklayers, some showing soaring birds, some simply spelling the word “RAZA.” Aman, now a civil engineer, returned every year to the school’s anniversary, bringing new designs and fresh ideas. He would often sit on the very bench where his father once rested, watching the next generation learn and laugh.
And whenever a storm threatened to darken the horizon, the townspeople would recall that day when a father’s relentless labor and a son’s unwavering belief turned a crumbling wall into a beacon of hope. The story was whispered from one generation to the next, a living proof that “din dhale jab karke mazdoori, raza aata hai baap.”
The End.
| Audience | Take‑away | |----------|-----------| | Music lovers | The song illustrates how indie‑rap in India is now borrowing from folk vocabularies, creating a hybrid that feels both modern and rooted. | | Sociologists / Labour activists | The lyric serves as a cultural artifact that captures how contemporary workers narrate dignity and identity in a rapidly changing economy. | | Students of language | It offers a compact example of code‑mixing: pure Hindi words (din, dhale, mazdoori) paired with Urdu‑derived raza and baap (a colloquial Punjabi‑influenced term for “father”). | | General public | Even without knowing the full song, the line resonates because it validates the everyday heroism of anyone who “works till sunset”. |
"Din Dhale Jab Karke Mazdoori — Raza Aata Hai" is a Hindi-Urdu phrase reflecting the daily life of laborers who return home after a long day's work. The line evokes themes of fatigue, dignity, economic struggle, and the quiet resilience of working-class families. This article examines possible lyrical meanings, cultural context, poetic devices, and how such a line could be developed into a full song or poem.
The requested line appears in the second antara (verse) of the song. Below are the full lyrics with the correct verse highlighted.
Mukhda (Chorus):
Chal sanyasi mandir mein
Chal sanyasi mandir mein
Pooja ki thali leke
Chal sanyasi mandir mein
Antara 1:
Jag ki kya reet nirali
Koi roye, koi khushiyan maanaye
Tune man ki baat na jaani
Tune apne ghar ko na pehchana
Tere ghar mein ek rota hai
Tere ghar mein ek rota hai
Tere aangan mein koi hasaaye
Antara 2 (Contains the queried line):
Kya jaane tu dard zamane ka
Kya jaane tu dard zamane ka
Jab bhookha bachcha rota hai
Maa ki jholi phaili hoti hai
Din dhale jab karke mazdoori
Din dhale jab karke mazdoori
Raza aata hai baap
Raza aata hai baap
Chal sanyasi mandir mein...
Note on exact wording: The user wrote "raza aata hai baap". The correct lyric in most sources is "Raza aata hai baap" (the father comes home willingly/with consent), though some colloquial versions replace "raza" with "wapsi" (return). However, the original is "raza" — meaning consent or willingness, implying he returns not just physically but with a sense of duty.
To understand the weight of these lyrics, we must travel back to the golden age of Hindi cinema—the early 1970s. This was the era of the "Angry Young Man." Namak Haraam, directed by Hrishikesh Mukherjee, starred Rajesh Khanna and Amitabh Bachchan. While the film is famous for its friendship drama, one scene absolutely devastates the audience.
The song "Mere Paas Aao" is sung by the legendary Kishore Kumar, penned by the master poet Anand Bakshi, and composed by R.D. Burman. din dhale jab karke mazdoori raza aata hai baap lyrics
In the film, the character played by Rajesh Khanna (Vicky) is trying to explain the crushing realities of poverty to his privileged, hot-headed friend (Amitabh Bachchan). He narrates the story of a daily wage laborer. The visualization on screen shows a poor father returning to his slum after a day of back-breaking work.
