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Title: Borgia 1x03 Full Recap & Review: “The Moor” – Sin, Spies, and a Papal Throne on Fire

Series: Borgia (2011 – Canal+, ZDF, ORF) Episode: Season 1, Episode 3: “The Moor” Spoiler Warning: Full details below.

If you thought Episode 2 was brutal, Episode 3, “The Moor,” turns the knife—then twists it. This is the episode where the show’s signature blend of theological terror and political savagery really locks into place.

The Papal Conclave Continues… With More Corpses

We pick up right where we left off: Rodrigo Borgia (John Doman) is still scheming in the shadows of the locked-down Vatican. The cardinals are starving, paranoid, and desperate to break the deadlock. Enter a wild card: Cardinal Orsini isn’t backing down, and Cardinal Sforza keeps shifting his weight.

The episode’s title, “The Moor,” refers to a legendary chess piece – but here, it’s all about strategy. Rodrigo plays his rivals like pawns, using bribery, threats, and one unforgettable scene involving a poisoned communion wafer. (Yes, they go there.)

The Cardinal’s Secret Weapon: His Children

While the men of the Church play politics, Cesare (Mark Ryder) is becoming more unhinged and more brilliant. He’s no longer just Rodrigo’s eldest son; he’s his father’s blade. There’s a fantastic scene in the Borgia palace where Cesare whispers to Juan (Stanley Weber) about how to manipulate a French envoy. You can see the jealousy simmering.

Meanwhile, Lucrezia (Isolda Dychauk) is still being treated like a bargaining chip, but she’s learning to watch. There’s a quiet moment with her servant that foreshadows the steel underneath the innocent mask.

The Cardinal Who Said “No”

The standout sequence of Episode 3? The torture of a rival cardinal’s confidant. Borgia doesn’t shy away like The Tudors did. You see the rope, the water, the quiet desperation of a man who knows he’s already dead. It’s not gratuitous—it’s a statement: This is how popes were made. borgia 1x03 full

The final 10 minutes are a masterclass in tension. When the white smoke finally rises, you’ve earned the exhaustion.

Final Verdict on 1x03

⭐⭐⭐⭐ (4/5)

The Moor moves faster than the first two episodes, finally giving John Doman the chance to stop whispering and start roaring. The production design is still stunning (those crimson robes against stone walls), and the writing has found its rhythm: Machiavellian, cynical, and utterly addictive.

Best line: “A man who wants nothing is a man who cannot be bought. That is the most dangerous man of all.”

Worst part: The show still struggles with pacing in the middle third. Too many shots of cardinals walking down long hallways.

Should you watch? Yes. This is the episode where Borgia stops being a “historical drama” and becomes a horror-political thriller. If you like Medici, Versailles, or The Serpent, jump in.


What did you think of the poisoned wafer scene? Too much, or perfect for Renaissance Rome? Let me know in the comments.

Next week: Episode 4 – “The Blessing.” Rodrigo takes the throne. It does not go smoothly.

To "create a piece" for Borgia Season 1, Episode 3 (titled "The Sacred Rite"), one must capture the shift from the family's initial celebration of power to the brutal reality of maintaining it. This episode, available for viewing on Amazon Prime Video Title: Borgia 1x03 Full Recap & Review: “The

, centers on the crumbling alliances and the poisoning of Cardinal Orsini.

Below is a creative summary and thematic analysis of the episode. The Sacred Rite: A Descent into the Red

In "The Sacred Rite," the golden glow of the Papal coronation fades into the cold, gray stone of the Vatican's private chambers. Rodrigo Borgia—now Pope Alexander VI—discovers that the Chair of Saint Peter is not a throne of peace, but a target. The Poisoned Cup

: The centerpiece of the episode is the elimination of Cardinal Orsini. This act serves as the family's "baptism by fire," transitioning them from ambitious outsiders to ruthless rulers. According to historical accounts on History Today

, while many Borgia crimes were exaggerated, the use of poison became their most enduring (and terrifying) The Children of the Pope Cesare Borgia

struggles with his forced priesthood, his resentment simmering against his brother Juan. Lucrezia Borgia

, portrayed as only 14 years old at the start of the series per the Borgias Wiki

, begins to realize she is a political pawn, a "femme fatale" in the making whose life will be defined by intrigue and suspicious deaths Key Themes Manifestation in 1x03 Simony & Corruption

The blatant selling of church offices to secure loyalty against the Sforza and Orsini families. Sibling Rivalry

The growing friction between Cesare’s intellect and Juan’s arrogant, physical dominance. Loss of Innocence What did you think of the poisoned wafer scene

Lucrezia’s realization that her father’s "Sacred Rite" is a business of blood, not just prayer. Where to Watch While the series left

in early 2023, you can still find the full episode and the rest of the saga on platforms like (Paramount+). on Cesare or a historical comparison of the Orsini family’s real-life downfall?


What makes “The Assault” superior to many period dramas is its refusal to moralize. There is no scene where Rodrigo looks into a mirror and questions his soul. Instead, the show offers a grim, realistic portrait of power as a zero-sum game. When Rodrigo finally secures the votes needed (though the actual election is saved for episode four), there is no triumphant music. There is only the sound of coins clinking and the silence of a man who has sold his integrity one cardinal at a time.

Historical Note: While the show condenses timelines, the real Rodrigo Borgia (later Pope Alexander VI) was infamous for his use of simony during the 1492 conclave. Contemporary accounts suggest he won by promising lucrative positions and castles to his rivals. Borgia doesn’t exaggerate—it merely illuminates.

Why does Episode 3 resonate so deeply with fans seeking the "full" experience?

Because it abandons the "rise to power" trope. By the end of 1x03, Rodrigo has power, but he has lost his soul. The episode’s title, "The Moor," refers literally to Ludovico Sforza (who was dark-skinned), but metaphorically, it refers to the darkness inside the Borgia family.

Historical Accuracy: While dramatized, the episode correctly portrays the alliance with Ludovico Sforza (who was indeed nicknamed "Il Moro") and the beginning of the Italian Wars. The showrunners consulted Jesuit historians, which is why the religious rituals in Episode 3 are disturbingly accurate.


If you are on the fence about committing to Season 1, watch Borgia 1x03 full as a litmus test. The first two episodes are slow, establishing the vast cast of Cardinals, courtesans, and Florentine bankers. But Episode 3 is the engine turning over.

A final warning: Borgia is not for the faint of heart. Episode 3 contains depictions of torture, sexual violence (implied against a minor character), and extreme political cynicism. This is not The Crown. This is the mud, blood, and wine-soaked truth of the 15th century.