Kurdish: Bojack Horseman

Kurdish viewers often identify strongly with the character Diane Nguyen. Diane is a Vietnamese-American writer who struggles with being an outsider, feeling guilty for leaving her troubled family behind, and the futility of "activism" in a capitalist hellscape.

For a young Kurdish intellectual living in Europe or the US, Diane’s arc is a mirror. The guilt of escaping the destruction of Kobanî or Kirkuk to live a comfortable life in Stockholm or London, only to write self-indulgent blog posts about the pain back home, is the quintessential diaspora experience. The episode "Good Damage" (Season 6, Episode 8) where Diane debates whether she must be miserable to write something important, resonates specifically with Kurdish artists who feel their pain is their only marketable asset to the West. bojack horseman kurdish

The show is not shy in tackling dark themes such as trauma, addiction, and mental health, areas where Kurdish communities, affected by decades of conflict and political instability, find a mirror to their own collective and individual traumas. Kurdish viewers often identify strongly with the character

In Kurdish culture, there is a heavy emphasis on "Qedrê xwe zanîn" (being grateful) and "Bêdengî" (stoicism). Showing sadness, especially for men, is often seen as weakness. This is where Mr. Peanutbutter—the eternally optimistic golden retriever—becomes a villain in the eyes of Kurdish fans. The guilt of escaping the destruction of Kobanî

Kurdish audiences, who have watched their cities burn on Al Jazeera, have a low tolerance for toxic positivity. In fan discussions, many express rage at Mr. Peanutbutter not because he is annoying, but because he represents the Western liberal demand to "look on the bright side" while the world collapses. A Kurdish viewer in the diaspora might hear their German or American friend say, "Just meditate, don't think about the politics," and hear Mr. Peanutbutter saying, "What is this, a crossover episode?"

Bojack Horseman validates the anger and the sadness. It tells the Kurdish viewer: It is okay to not be okay. Your trauma is not a performance.