Audiomachine Intros 3 ✦ Recent & Hot

Audiomachine Intros 3 is not a "do everything" library. It is a scalpel for composers who need high-end production value without spending three hours sound designing.

If your music lacks that "cinematic breath" before the storm, buy this library. Your workflow will thank you.

Listen to the official demo walkthrough [Link here] and grab your copy at [Vendor Link here].

Are you picking up Intros 3? Let us know your favorite patch in the comments below!

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Intros 3 is a production music album released by Audiomachine on March 18, 2020, serving as a comprehensive toolkit for trailer and film editors. Following the success of the previous "Intros" series, this 2022-cataloged industrial release (AM 79) provides a massive collection of musical cues designed as starting points for various media projects. A Versatile Toolkit for Media

The album is structured to cover 18 unique categories, making it a "one-stop shop" for initiating creative projects. The cues range significantly in mood and genre: audiomachine intros 3

Atmospheric & Emotional: Includes "family feel-good" themes and intense "emotional drama".

Tension & Suspense: Features pulsing thriller tracks and building atmospheric cues.

Genre-Specific Styles: The collection spans categories like Action, Comedy, Horror, and Sci-Fi/Fantasy, utilizing various instrumentation from "creepy piano" to heavy "hybrid electronic" sounds. Composition and Creators

The tracks on Intros 3 were crafted by a team of experienced production music composers:

Paul B. Dinletir: Co-founder of Audiomachine and a prolific composer for the library.

Nicholas Steinbach: Contributed cues for this specific collection. Audiomachine Intros 3 is not a "do everything" library

Jina Hyojin An: Part of the creative team behind the album's varied musical styles. Industry Role and Accessibility

Audiomachine is primarily an American production music library based in Beverly Hills, specializing in music for movie trailers. Intros 3 - Universal Production Music

Released on March 18, 2020, Audiomachine's "Intros 3" (Catalog ID: AM 79) is a massive industry-focused collection featuring over 170 tracks, primarily composed by Paul B. Dinletir and Jina Hyojin An. The album is organized into 18 unique categories to help editors find the right tone, ranging from family feel-good and emotional drama to pulsing thrillers and cinematic builds. The collection offers a wide variety of, and notable, tracks that are designed to serve as starting points for, among other things, trailers and commercials. Intros 3 - Universal Production Music

Here’s a concise review of Audiomachine – Intros 3 (part of their Intros series, focused on shorter, thematic openers and scene-setters).

The album groups intros by mood, making navigation efficient:

✅ Time-saving – No need to cut down longer tracks; these are pre-sized for quick placement.
✅ Varied moods – Covers light/dark, fast/slow, organic/synthetic.
✅ No filler – Every track gets to the point.
✅ Royalty-free options – Available via subscription or single-album purchase (depending on licensing). If your music lacks that "cinematic breath" before

Audiomachine tracks are produced with large orchestral recordings combined with modern sound design; Intros 3 follows this approach with polished mixing and mastering intended for broadcast. Licensing is typically handled through Audiomachine’s commercial licensing channels or third-party music supervisors and trailer houses; usage terms depend on project scope (broadcast, theatrical, online).

Rating: 8/10
Intros 3 is a reliable workhorse for editors and composers on deadline. It won’t replace full cinematic albums, but it’s one of the best in its specific category. Best for: trailer houses, YouTube creators, indie game cutscenes, and anyone who needs a quick, professional “opening statement.”

Skip if: You need long-form storytelling or highly unique harmonic structures.

The album opener is a statement of intent. Rising Phoenix combines a staccato string pulse (think Inception's horn, but faster) with a distorted bass drop at the 12-second mark. Unlike typical "hybrid" tracks that rely solely on electronic synths, Audiomachine has layered a live French horn section over the top. The result is warm yet aggressive. This is the perfect track for "hero awakening" montages or sports hype reels.

Intros 3 is a highly functional, well-crafted toolkit for media composers needing immediate impact without a full 2–3 minute track. It delivers exactly what the title promises: concise, emotive, and cinematic introductions designed to hook a listener from second one. While not as thematically expansive as a full album, it excels in its niche—perfect for trailers, YouTube openers, podcast themes, or scene transitions.

Why can’t just any composer make an Intros track? It comes down to mix engineering. Most amateur trailer music sounds muddy when compressed for streaming. Audiomachine has always mastered their music for loudness without distortion.

For Intros 3, the team utilized the Teldex Scoring Stage in Berlin (the same room used for The Grand Budapest Hotel). Even though these are 30-second clips, the reverb tails are captured live, not simulated.

Furthermore, the dynamic range is astonishingly wide. Listen on a good pair of studio monitors (like the Yamaha HS8s). You will hear the bow hair scraping on the cello strings in the quiet moments of Last Signal, and you will feel the sub-woofer rattle your desk during the drop of Iron Harvest.